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#GeorgianJewlery Tell me your best guess as to what this is. Same item in both pics to give you detail and size reference. Circa 1760-1780 gold, turquoise cabochon, and pearls
Study for "Silence" , Louis-Philippe Mouchy, c. 1780-89 https://t.co/FIjIXpsy2V #museumarchive #europeanart
Alfred Edward Chalon, R.A. (1780-1860) Academic Study, 1831. From my collection. #maleform #henrymillerfa #alfrededwardchalon
Scene on the Pont Neuf Paris with a Man Grooming a Dog
by David Allan c.1780 @NatGalleriesSco https://t.co/KS7FqIFcry
Joseph Wright of Derby (1734-1797) A Lake by Moonlight (1780-1782).
The Mughal Emperor Akbar leading a lion and a ram on a leash
Opaque watercolour on paper
Unknown Artist
India, Eastern #Deccan, possibly #Machilipatnam
Circa 1780
https://t.co/TQD0oEbvEf
© Victoria and Albert Museum, London
@Artstor Same!
Circle of Madeleine Françoise Basseporte
1701-1780
Iris germanica (left). Iris xiphium (right)
Detail from a portrait of Marie Antoinette from the studio of Elisabeth Vigee-Lebrun, circa the 1780s.
#1日1キャラ 1780,1人目
獣闘グンギル、ダゴザ…かなり久々の獣闘シリーズ
前に描いた獣闘(一年以上前)↓
https://t.co/STPn3AbMhd
'Le pont sur le torrent' (c. 1780) by French painter Hubert Robert (1733–1808)
James Watt, a man of many talents: #OTD 1780 the firm of James Watt & Co was established to make the world’s first duplicating machines, to save time while copying plans @watt2019 #GoIndustrial
The bank of the Ganges below Kara (Near Allahabad ,U.P.).
8 September 1803
Artist: Salt, Henry (1780-1827)
Medium: Pen and ink on paper
#Kara was major seat of governance in North India ,before Awadh and Allahabad cities developed.
Source : https://t.co/yORuQKVmYx
Artist and architect Thomas Sandby intended this ‘Bridge of Magnificence’ to span the Thames at Somerset House. Inspired by Piranesi and Palladio the c. 1780 design consisted of nine arches supporting a colonnade and classical pavilions. Image © The Trustees of the @BritishMuseum
The painter Angelica Kauffman astutely collaborated with engravers. Here a portrait of her engraved by Francesco Bartolozzi in 1780 and in turn her portrait engraving of J. J. Winckelmann of 1764 (see W. Roworth in September 2018 issue of Print Quarterly). #InternationalWomensDay