LaREMのTwitterイラスト検索結果。 31ページ目
Tinha pedido pra três amigos falarem cores q combinassem comigo e acabei usando elas na composição da roupa desse personagem
Happy Birthday, @paulsmithdraws!!
He’s drawn many comics I’ve loved, but this may still be my favorite. Kudos to the entire creative team.
#XMen #175 - Claremont, Smith, Romita Jr, Wiacek, Wein & Orzechowski
...Claremont has chosen Roberto, the second-most visible (well, only other in 1987) Black main character across both of his titles.
While it certainly feels like the logical extreme conclusion of Berto's rage throughout the series, the book's indulgence of the mutant metaphor...
...the story's marginalized class.
Children with genetic potential are stolen from their parents, humans exist as a literal underclass and live in a heavily policed state.
It is the wrong future–and given Claremont's assumption that readers have identified with the mutants...
A sogrinha abriu uma loja via Instagram, e seria muito legal se vocês pudessem seguir e compartilhar muito(https://t.co/C5utgDX7e8)! Além disso, se fizerem um pedido e depois falarem #mumunacozinha425 no Wpp, ela disse que dá um brinde (:
Ajuda ela, por favooor? Nunca pedi nada!
Este jueves 2 de septiembre a las 17:00 hrs Ansiosxs estará en vivo cachureando mi biblioteca, hablaremos de libros, cómics, colecciones y obsesiones, por acá: https://t.co/EZhD8CBshV
Then, Classic X-Men 11 features a backup story where Claremont explores a writer (who is an obvious surrogate for Claremont himself) contemplating suicide before being saved – essentially – by meeting Storm, though for how long that will last is left unclear. 11/12
Madelyne Pryor has to be literally talked down from jumping off a cliff by Havok. Captain Britain expresses suicidal thoughts on multiple occasions. He might be Claremont’s deepest exploration of the concept of suicidal ideation. 10/12
Along those same lines, Claremont’s portrayal of a physically and spiritually exhausted Logan late in the run is referenced as a death-wish by multiple characters, though Logan’s mutant-enhanced longevity might complicate a connection to suicidal ideation. 5/12
Interwoven throughout the Massacre's scenes of tragedy have been vignettes of Ali slowly succumbing to the corruptive influence of the entity Malice.
In her appearances in the Run–excluding her earlier moments during the Dark Phoenix Saga–Claremont has spent a great deal of...
ok... no creo que nadie vaya a ver esto, y si llega a ser ese el caso, dudo que no sepa de la muerte de Tomiii...
Así que no creo que tenga mucho que decir, solo que...
¡ADIOS TOMII!! Descansa en paz. Espero que la pases muy bien del otro lado, ya nos volaremos a ver algún día!!
Upon her post-mortem return, she’s written primarily by Louise Simonson in the pages of X-Factor, but Claremont does occasionally handle the character (primarily in guest appearances) such as we see in UXM #261 where Jean tours the mansion ruins and finds an old photo. 7/13
Claremont’s Magneto is rich, smart, and sexy - he’s every hero and villain’s envy and every mutant’s dream. And I think anyone who doesn’t dare to depict Mags as such is a coward.
...has a tendency to take a dark turn whenever it intersects with Claremont's Run–and shocking no one, its Mutant Massacre tie-in is as dark as they come.
Perhaps by virtue of existing as a separate title, Weezie takes advantage of some of her page space to offer a fuller...
X-Men Annual Vol 1 #10 (1987 )
Story Chris Claremont, Art Art Adams
Along the way, Sam reflects on his family obligations, the socio-economic dynamics of Kentucky life, and even the cultural codes that define how he’s allowed to express himself (through which Claremont shows an awareness of the concept of code-switching). 6/8
...a sign that Weezie's storytelling, much in the vein of Claremont's, is planting seeds for plots that won't be reaped for months to come.
X-Factor faces another group of Marauders and almost falls before Jean and Warren arrive to rescue their teammates.
Jean kills Prysm in...
This is all questions and speculations, of course, and any reader can take the same points of data and extrapolate in different directions. Claremont doesn’t clearly define the Rogue/Dazzler relationship and that might be a huge part of why it works. It has some layers. 10/10