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Giorgio de Chirico, The Archaeologists IV, Plate three from Metamorposis, 1929 https://t.co/WmzAulmBfk #artinstituteofchicago #museumarchive
Girl in the Country, 1929 https://t.co/q8iO8zt2xa #neosuprematism #kazimirmalevich
Running (1931), at the Press (1931), Dancers (1929) & Self-portrait (c1920-30) indicate his lifetime concern with speed, power, youth & new ideas.
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🎨 Drawing, Study of Irises; Early 20th century; Designed by Sophia L. Crownfield (American, 1862–1929); Brush and watercolor on grey paper; Gift of Starling W. Childs and Ward Cheney, 1937-59-39; @cooperhewitt , Smithsonian Design Museum;© Smithsonian Institution
1906. 'Five Hours at Paquin' (detail) by Henri Gervex ( French 1852 - 1929
Original Grand Guignol posters by Adrien Barrère, dated from 1909-1929.
Harkrider co-directed one film, the Flo Ziegfeld production Glorifying the American Girl (1929) along with the film’s costume and set design. He eventually wanted to produce his own NY stage extravaganzas but the Depression and WWII — and lack of financial backers — did him in.
Bars et cabarets de Paris from 1929 by SEM aka Georges Goursat. French caricaturist during the Belle Époque & was successful through his imaginative portrayals of Paris at the turn of the Century by capturing the spirit of the subject rather than exact physical traits.
Victory Ball, 1781, by American painter Jean Leon Gerome Ferris (1929). Virginia Historical Society.
Another Dyar portrait of a feathered Wynne, 1932. Designer Travis Banton used a similar plumage design in gowns for Marlene Dietrich in Shanghai Express (1932) and Louise in The Canary Murder Case (1929) (R):
Alisa Poret, cover and illlustrations for Railroad, 1929. Poret (1902-1984) studied art at St. Petersburg Academy with Kuzma Petrov-Vodkin and Pavel Filonov. She illustrated children’s books, and co-wrote rhymes and riddles for children with the avant- Garde poet Daniil Kharms.