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So 20 years(Dec. 2000) before Hickman and Noto, here's X-Men #107 by Chris Claremont and Leinil Francis Yu, part of the Maximum Security event.
65. Uncanny X-Men Vol. 1 (1987) nº 215 - 218 / Guión: Chris Claremont / Dibujantes: Alan Davis, Jackson Guice y Mark Silvestri / Entintadores: Dan Green y Steve Leialoha / Coloristas: Glynis Oliver y Petra Scotese
@MagnetoRocks They're constantly hanging out together in the OG Claremont run. During the Australia era Colossus decides to stop wearing wearing shirts and Rogue is like "oh no he's hot!"
Santa Beast with Kitty and Rachel as his elves.
From X-Men #165 by Chris Claremont and Salvador Larroca
King-Size Conan on sale today! Stories by Roy Thomas, Kurt Busiek, Chris Claremont, Kevin Eastman, and Steven S. DeKnight with art by Steve McNiven, Pete Woods, Roberto de la Torre, Kevin Eastman, and Jesus Saiz. Cover art by Andrew Robinson.
Does anyone actually care that much about Magma? I don’t think Claremont even cared that much about her, and she was his character. #XMen #NewMutants #Magma #drawing #fanart
So.. here's the four comics I reas when I was fourteen. @JimLee & Chris Claremont were working on X-Men, Marvel UK were reprinting US Spider-Man titles, I'd discovered the Rocketeer thanks to the film and Peter David & Dale Keown introduced the Smart Hulk.
At the time, Wolverine had not yet been described in these terms (he actually really didn’t have a lot of narrative descriptions yet). It may be fitting then, that Claremont had ultimately intended for Sabretooth to be Wolverine’s father. 6/6
Federico Gastaldi's (@Fede_Gastaldi cover and interior full page illustrations for Claremont McKenna College Magazine feature new solutions for effective remote learning during the pandemic.
https://t.co/hX6hykgyy6
@SalzmanArt #ThursdayThoughts #ThursdayMotivation #illustration
In terms of cultural reach and legacy, film adaptation remains a problematic badge of honor for comics artists, and despite his rather large storytelling contribution to the X-Men franchise and its subsequent film adaptations, Claremont has not always received his due. #xmen 1/6
Hoy en #XMENMONDAY
La actriz #DeWandaWise sería perfecta para interpretar a Ororo Munroe #Storm en el #MCU. Luciría muy bien con su atuendo de #QueenOfWakanda o el clásico de la saga X-Men de Claremont y Byrne.
#xmentas #Marvel #DisneyInvestorDay @Cinegamerfriki @StripMarvel
Chris Claremont in 1985: we should push X-Men into darker and more overtly political territory. All the X-Men are exhausted and traumatized and desperately trying to make things work.
Dave Cockrum in 1985: Nightcrawler should meet a cowboy dinosaur
Thinking optimistically, dare we suggest that Claremont's well-established emphasis on character depth and agency made the characters sexier? 6/7
These sources are dubious, of course, but they reflect broader cultural attitudes. There are a great many “hottest comics character” lists on the internet, and Claremont’s X-Men represent an enormously disproportionate number of characters on these lists. 4/7
@MahmudAsrar Rachel and Kitty, which Marvel will probably never allow to move forward, despite Claremont's intentions.
From Claremont to Claremont, Episode 3 rolls on...
This time @Charlton_Hero and I get x-treme and (theoretically) meet the all-new Brotherhood of Evil Mutants in X-Force #5!
Then, the Chrises will discuss ONE of the Chrises' "Soundtrack of his Life"
https://t.co/6JNKozRkth
Wolverine's number one most defining character trait in every "modern" comics with him I've read is the fact that he likes to drink. This isn't really a thing in the old Claremont stuff? Who is responsible for the flattening of Wolverine's character into "he really likes beer"
Muppet Babies, 1984
Flintstone Kids, 1986
Pup Named Scooby Doo, 1988
Tom & Jerry Kids, 1990
Every two years, animators were dusting off their IP's and de-aging them.
Claremont, who knew what pulse to place his finger, brought in the X-Babies by 1986.