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Jollibee gijinka but he's bara af
quick one before sleeping uwu
ye I know the jalibi gijinka hype was last year but idc I just thought of this bc pota I was so hungry earlier that I was craving ultimate burger steak and chicken joy hhhhhh
I was craving something cute this evening, so I made this...
@assembly_pixite @Shift_by_Pixite
Elizabeth I was crowned #OnThisDay in 1559 and reigned for 44 years. This 17th century engraving by William Faithorne shows her with Lord Burghley and Sir Francis Walsingham. [Prints 014/004]
Painted at age 12-13. Michelangelo's "The Torment of Saint Anthony" (1488) showed precocious talent. Based on a monochrome engraving by 15th-century German artist Martin Schongauer (second image), Michelangelo dramatically altered the image adding landscape, colour & fish scales.
Happy #FloraFriday! Though unsigned, the majority of the engravings in "Fragmenta Botanica" (1809) (depicting recent arrivals to the Schönbrunn gardens) are likely the work of J. Scharf, M. Sedelmayer & J. Knapp. View it in #BHLib via @mobotgarden: https://t.co/R41wgHR1Zk
Craving #tentacles #monsters #aliens #mermaids & #kinky fuckery? Check out @tentaclepress to satisfy all your darkest desires...
【NATSUKI’S DAILY】
Craving for ice latte even in the winter ☃️
#NatsukiDaily
Roses (Moss, Damask, Red & White).
Engraving taken from ‘Flora’s Interpreter’ by Mrs. S. J. Hale.
Published 1832 by Marsh, Capen & Lyon.
https://t.co/V5XvAjerpe
Paul Gustave Louis Christophe Doré (6 January 1832 – 23 January 1883) was a French artist, printmaker, illustrator, comics artist, caricaturist and sculptor who worked primarily with wood engraving🎂❤️🌹❤️🌹❤️🌟
Paul Gustave Louis Christophe Doré (6 January 1832 – 23 January 1883) was a French artist, printmaker, illustrator, comics artist, caricaturist and sculptor who worked primarily with wood engraving🎂❤️🌹❤️🌹❤️🌟
Siamese Cat and Butterfly #woodengraving by Agnes Miller Parker 1939 @NatGalleriesSco https://t.co/8mHGg2u0LU
The Shrimp Girl painting by #williamhogarth in 1750 is held in the National Gallery. The engraving was commissioned by his widow, Jane Hogarth and engraved by Francesco Bartolozzi in 1982 using a stippling method which creates strong tonal values and delicate flesh hues.