📰| INFO!!!

ALEX CLAREMONT-DIAZ ACABA DE POSTAR EM SUA CONTA NO TWITTER (imagem abaixo) COM LEGENDA: “Nunca me diga a probabilidade.”

HISTORY, HUH ?

🎨: art by caelestee on instagram
https://t.co/bK5QTEaFiW

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NEWS ! Trois sorties de novembre :
* En MARVEL DELUXE : la saga événement INFINITY WARS de Duggan & Deodato + T03 d'AVENGERS par Hickman avec Ribic, Larroca & Yu
* Une version géante du récit culte X-MEN : GENESE MUTANTE 2.0 de Chris Claremont & Jim Lee !

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amazingly not written by claremont

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Marvel first outright mainstream gay hero was Northstar. No doubt on that one but Chris Claremont often wrote his women bisexual so keep that in mind too.

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In this, Claremont’s X-Men empowers marginalized readers to feel the frustrations created by social inequity, rather than encouraging some variation of noble suffering for the sake of subservience. X-Men preaches tolerance, but also clearly understands the toll that takes. 10/10

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In advancing the X-Men theme of protecting a world that hates and fears them, Claremont cultivates the idea of mental and spiritual exhaustion for his marginalized group, as a result of their desire to contribute to a society despite being excluded from it. 1/10

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The first volume was produced, essentially, by Marvel, with Claremont’s usual team on the comic (though Walt Simonson handled pencils). The second volume was scheduled to switch that and have Wolfman/Perez producing, but it was scuttled over editorial conflicts. 2/9

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Yes!!! To celebrate 50 years of Chris Claremont stories, will publish a one-shot in December, featuring Dani Moonstar, as she travels the continuity to arm herself against the Shadow King! Several artists to contribute, including 👏🏻👏🏻👏🏻🤯🤯🤯

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Marvel Comics celebra 50 años de El Bárbaro con King-Size Conan una edición especial con relatos de Roy Thomas, Kurt Busiek, Chris Claremont, Steven S. DeKnight y Kevin Eastman.

Sale en Estados Unidos este diciembre, ¿te gustaría verla el próximo año en México?

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Hoy en

Los X-Men de por Alex Ross
Portadas del de de con Magneto y Emma Frost, líderes de los X-Men oscuros. Rumores apuntan a que sería la reina blanca mutante en el

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One of Claremont’s greatest strengths as a writer is his ability to achieve a rare escape velocity from the entrenched sexual politics of his era and context. When it comes to this particular trope of sexual violence against women, however, he doesn’t get there. 8/8

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Cruelly, Claremont allows Magneto to slowly build a life, to heal, and to hope for a future in the wake of his tragedy, only to lose it all again to a second form of prejudice (mutant vs Jewish) thus establishing the analogous relationship between the two forms of bigotry. 5/9

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It's Kitty, I mean Kate Pryde Coming Out Day! After Decades of Chris Claremont Alluding to the Fact, it looks as if Marvel (via Gerry Duggan) is Finally Going to let Everybody's Favourite Intangible Mutant Pirate Queen Step Out of that Closet! ❤🧡💛💚💙💜 Art by

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The scene shows Claremont (often accused of inefficient writing) doing a ton of heavy lifting in the interest of the story, characters, and themes, all in a small space. Of course, it’s not word count that decides efficiency; it’s payoff per investment. 9/9

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Claremont was really testing our patience with that one. This page still haunts me lol

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The point is that Claremont and crew had a freedom of expression granted to them that no X-Men writer has had since then – not even innovators like Morrison or Hickman. C’s genius is his own, but his circumstances were ideal in empowering him to make use of it successfully. 5/6

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14. New Mutants Vol. 1 (1985) nº26-28 / Guión: Chris Claremont / Dibujo y Entintado: Bill Sienkiewicz / Color: Glynis Wein

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X-Men: Classic (1982) //
Sunspot (Roberto da Costa)

Story: Chris Claremont, art: Bob McLeod

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Near misses:
1) Claremont New Mutants
2) Niceiza/Capullo X-Force
3) Carey X-Men Legacy
4) Hama/Silvestri/Kubert Wolverine

(Shout out to the various PAD X-Factors as well!)

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