画質 高画質



ちょっと自然になってきたかな?

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Wanted to show off a piece I just finished up, I first began this for a project last spring. Its an illustration I created to represent trauma and the effects of it on the psyche/self esteem.

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Rewatched LOTR tonight. This has been some of my favorite work in special effects in film history. It's truly otherworldly and terrifying. Every bit of it is a fucking nightmare. I love it.

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It's messy. But it's a bit of fisheye lens practice and some effects Im randomly drawing

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version without confetti and effects just bc of that hand i'm really proud of

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[Broly: Cheelai (Assist)'s Zenkai Awakening Is Coming!!]
When Awakened, his Special Arts will grant 2 random effects on hit instead of 1! Unlock all his Uniques to gain received damage CUT, reduce enemy Ki, and more to boost his defensive capabilities!

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Probable all nighter to finish up the shading and effects.

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gotta love body horror with practical effects

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Its Endou Mamoru! Or Mark Evans if you prefer the dub!

I'm not quite used to drawing aura effects, but it was pretty fun to experiment with

also hands 😱

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Just a random girl
Yeah yeah now you see how my art looks like without effects cuz I’m lazy

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I Hope you had a great Birthday Millie!
I tried adding in some extra effects to make it more fun to look at!
Also included a version with a fang because I recall you saying you wanted one.
Thank you for all the fun and creative streams you always do!

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short After Effects breakdown of how I got to my base gradient for the McNificents project (full project on Behance)

With a set of effects as Time Displacement and Colorama you can easily create a directional and more unique animated gradient

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I ended up with like one of my favourite effects we chillin https://t.co/uRqjFIyEPa

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// eye contact , small glitch effects

and then you drown in a fantasy

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Did my own redraw of the Sonic Movie scene everyone is talking about! Not too satisfied with the coloring or the piece in general but it was really fun! And learned alot about layer effects so that's cool.

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