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Henri de Toulouse-Lautrec, The Seated Clowness (Mademoiselle Cha-u-ka-o) (from the series Elles), 1896 https://t.co/icNTZdeaaA #themet #metmuseum
Here are a few more.
Witold Pruszkowski (14 January 1846, Bershad - 10 October 1896, Budapest).
Here are some works by Polish Symbolist painter and graphic artist Witold Pruszkowski (14 January 1846, Bershad - 10 October 1896, Budapest).
Spring is in the air this weekend and so we visit this 1896 painting where Mucha captures the spirit of Spring. How does it compare to his depiction of Spring that we shared with you yesterday (Spring 1900)? Are both the woman and the style seem more naive?
Spring, 1896
#Mucha
Winter (1896)
Alfons Maria Mucha's works -> https://t.co/eWxCJr3Av4
Marie Spartali Stillman 🏴 (b. 10.4.1844)
'Dante’s Vision of Leah and Rachel' (1887)
Watercolour
36.5 × 49 cm
'Beatrice' (1896)
Watercolour and gouache on paper mounted on board
57.6 × 43.2 cm @delartmuseum
Henri de Toulouse-Lautrec, Chocolat Dancing, 1896 https://t.co/qp8MsMOEVK #museumarchive #artinstituteofchicago
👩🌾 L'Illustration horticole:
Gand, Belgium: Imprimerie et lithographie de F. et E. Gyselnyck, 1854-1896.
https://t.co/izj7nTLJOD
👩🌾 L'Illustration horticole:
Gand, Belgium: Imprimerie et lithographie de F. et E. Gyselnyck, 1854-1896.
https://t.co/Mblwx9XgPi
Charmion Von Wiegand, whose work is on view in Labyrinth of Forms: Women and Abstraction, 1930–1950, was born #onthisday in 1896.
A journalist as well as visual artist, von Wiegand was instrumental to the acceptance and understanding of abstraction in the U.S. during that time.
Interior with a top hat, 1896 https://t.co/rh8SU1aWQ2 #matisse #realism
@albertopetro2 @Rebeka80721106 @cmont4560 @smarucci461 @migliaccio31 @DavLucia @agustin_gut @dianadep1 @angela3nipoti1 @ManuelaDora @rebeccaabdu @doritadia @anne_camozzi @CaterinaCategio @gori_magnani @BaroneZaza70 @martinis2018 @LunaLeso @paoloigna1 @AlessandraCicc6 @Titas37 @Giorgio51589046 @pieroBENEDETTO @AnnaMar90949897 @Sensibilia8 @ANNAMAMARIABIA1 @EnricoCastrovil @erminiopasquat1 @BrindusaB1 @BryanMatthews23 @djolavarrieta @Messe11 @NotizieB @licprospero @ritamay1 @revove22454 @quis_gomez @GiardinoPietro @JohnDante_ David Alfaro Siqueiros 1896-1974
The Sob
1939
MoMA, New York
Buonanotte così, grazie Alberto🌃
@simonjetz @1Atsuhimerose2 @dianadep1 @ejlazar @marmelyr @neblaruz @ampomata @BrindusaB1 @peac4love @djolavarrieta @vvgcabras @scastaldi9 @artmajcar @cristob45 @maluisa_3 @CristianeGLima @kamabi @albertopetro2 @ritamay1 @bgv_online @alleosa @DavLucia @ceconomou56 @Rebeka80721106 @BaroneZaza70 @karmendida @JohnLee90252472 @AnnaCountessK @DublencoIgor @MariangelaSant8 @mariatontini1 @Pontifex @EmmanuelMacron @kishida230 @POTUS @FLOTUS @pfizer @moderna_tx @yianniseinstein @LunaLeso @agustin_gut @AhmetDuranHergn @piero_agnello @Natanaelmiangel @Karacyr_1970 David Alfaro Siqueiros (México 1896-1974)
The Malford Séances have been described as everything from demonic communication to spirit prophecy and transmission from future. Delivered in Maford between 1896-1898 (some say the recommenced in the 1900s), cylinder recordings of them are kept locked away from almost every ear.