LaREMのTwitterイラスト検索結果。 1,571 件中 37ページ目
...but the venom he spits at Amanda, suggesting that his love of her is more manufactured than genuine is perhaps the cruelest Kurt has ever been written to be.
Claremont leans heavily into Kurt's demonic appearance to buttress Kurt's emotional turn, even going as far as...
Ironically, while I spent a lot of my coverage of Cockrum's limited series comparing it to the soapiness of Claremont's ongoing, I found myself wishing to have a bit of the book's whimsy back during this readthrough.
While Kurt ends UXM #204 in a better place than he started...
Detail of my submit for the fanzine Solar Embrace Vol.2
💛💙💚
//
#Destiny2 #Destiny2Art #SolarEmbrace
X-Men Vol 1 #122 - Cry for the Children! (1979)
"We’re super-heroes, Ororo, not God. We can save humanity from Doc Doom or Galactus — but not from itself."
- Luke Cage
Story: Chris Claremont & John Byrne, Art: John Byrne
El próximo martes 20 de julio tienes una cita con #Entrepacientes de @pacienteqcuenta, para hablar de las vacaciones. Donde hablaremos de como compaginar el dolor, discapacidad, enfermedad... con las vacaciones, lugares accesibles y la necesidad de desconectar aunque no viajemos.
A recent Jean Grey ‘Black Queen’ X-men commission I had a ball drawing! Great inks jagdish, stunning colours from fab @ulamosart, loved the classic Byrne,Austin and Claremont run. Byrne homaged the costume of Mrs Peel (Diana Rigg)in The Avengers Hellfire Club Ep #xmen @Marvel
In a 2018 interview with Substream Magazine, Claremont discusses his approach of writing his characters from a perspective of perpetual adolescence in order to achieve the high level of drama that UXM thrives on. #xmen 1/9
And therein lies the cruelty. Ororo obviously isn’t going to put her happiness above the lives of her teammates, but Claremont raises the stakes a bit, offering Ororo not just happiness, but a competing obligation: a world of peace, tranquility AND her happiness. 8/11
I would just like to point out that the bathing suit Jess is wearing in the first panel is the same one she wears in Avengers Annual 10 after meeting Carol and I like that little detail. Thank you Chris Claremont. #SpiderWoman
...fewer things to "say" than I've come to expect since diving headlong into the Claremont Run.
The story, even for 1985, does feel something out of place; its lighter plot and Cockrum's iconic art reminiscent of the era the blue mutant was first introduced in.
This may come...
📻 Demà al @maticatradio: obres que han influenciat fondament el seu gènere i han canviat el món en alguna mesura.
Us sona alguna de les que apareixen en aquestes fotos?
D'elles parlarem i d'algú més...
A la mateixa bat-hora (11:30) al mateix bat-canal.
I tinguin una bona cuina.
Building on yesterday’s thread, we can see Claremont’s plot approach of chaining together sequences of conflicts evolve further during the Dark Phoenix Saga, which chains the conflicts around a more singular, overarching umbrella conflict. #xmen 1/12
Depois de 1 semana no cativeiro eu terminei, se vcs pularem o tutorial mermão...
❤️+🔁= me ajuda a sair do cative-
Claremont’s work is famous for his cultivation of long, continuous storylines and one of the earliest strategies we can identify toward this is his practice of chaining together conflicts in direct succession in order to form a (moderately) continuous narrative. #xmen 1/11
...opposite. While it's framed as "you shouldn't do this alone", it reads in effect as "you *can't* do this alone".
It's worth noting that through these retcons, Claremont builds upon the idea of the "replacement" Jean, as she talks of herself (as both Jean and the Phoenix)...
En celebración de haber llegado a los 500 follows,yo y @Ikoni_Mikatsu regalaremos un modelo 2d de medio cuerpo NO RIG🌟
✨Para participar?✨
•Darme follow🎀
•RT al post
•Comentar las referencias de tu modelo🧚🏽♀️
Para más oportunidad~
•comisiona cualquier tipo de arte a Ikoni
Though Xi’an and her younger siblings made the trip, their parents did not, and Xi’an was subjected to sexual assault at the hands of pirates (another point connected to historical accuracy). In all of this, Claremont uses Xi’an to humanize a massive humanitarian crisis. 4/6
...distracting from the issue's main plot and more disruptive to its momentum than a welcome reprieve from its devastation.
Roberto is in search of home–an important thread given the relevance of 'found family' to Claremont's work and queer readings of the text–and yet I had...