画質 高画質

Technical Research Rembrandt's 1634 rare Masterpiece "Blooms & Fruit on a Table" reveals Subsurface "Pentimenti" of 2 tiny "1634 Self-portrait Studies"-Also fascinatingly a tiny scene of "Rembrandt painting a Portrait in his Studio"-Comparison with Saskia's 1634 Floral Headdress

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Decided to draw Malka from TLK (for obvious reasons haha) not many people know about him but he was introduced in the comics!!

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"When I float weightless back to the surface, i'm imagining i'm becoming someone else"

Fanart of the real life Motoko Kusanagi. Snuck in a 'on the nose' reference as well or two, or even three! Nah, just two.

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98 years since the dawn of the Era of No Input, this DRACO mining-bot vigilantly guards its hoard of Alloy deep under Titan's surface.

It has completed mining operations several times over, and now blasts away at electric slugs and other lost bots with its mining laser.

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Today's fic rec is Surface Tension and... HOOO BOYY!! amazing writing by turtle with illustrations from fend... and do be wary, this is VERY much a creepy one. i still can't recommend it enough, though, I just binged read the whole thing without blinking
https://t.co/Y47Ij1rO7M

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Yui was never a fighter. Though she's acted to protect herself or her siblings in the past, she was never trained and has little interest in really learning to fight.
However, she can't escape the fact that something dark and powerful lurks beneath the surface of her heart.

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WOOOOO i got my surface pen last night (poor delivery guy was here at like 10:30 pm sidjsksn) but i tested it out AND I LOVE IT!!! so have this doodle of my little baby boy keegan 😈

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The Radar Imager for Mars' subsurface experiment (RIMFAX) is a ground-penetrating radar on . It uses radar waves to see geologic features under the surface, and can make detections perhaps dozens of meters/yards underneath the ground.

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Finished modelling Spirit Blossom Lillia’s horns! This was my first time ever modelling a semi “organic” surface like this using Fusion360’s sculpt environment, and it’s a lot harder than it looks 😅

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Rewatching some series makes some forgotten ideas of ships resurface

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suneaters are an alien plasma-based life form that have two forms. Astral form is planet-sized, and they consume the energy of stars. They are more commonly seen in terrestrial form, living on a planet's surface. species guide: https://t.co/l4l2QhXbIs

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Few things make me warm and fuzzy like childhood memories of swimming down to the bottom of the pool and dazzling at the mosaic of light and color that was the water's surface on a sunny day <3 Had to draw it.

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Sinking deeper into the ice, I get pulled to the surface. Look out the window, houses are swallowed by black lightning. I hold my dog as he growls, the demon enters the room. I am aware he wants to enter my body. Eyes open shadows lurk in the corner.

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The test of a good pilot is the ability to navigate through the endless maze of giant roots on the planet's surface. Planet Surface, created by our talented sr Concept Artist, André Balmet.

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And then, there's the lighting.
Keep in mind that not every surface will reflect light the same way.
Wood will not have a strong light reflection like steel or plastic.

In this case, the light reflection will be focused on the hair. Any other light should be weaker.

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Now, let's work with the projected shadows. When an object projects a shadow over another surface, it's not usually blurred. It's more solid (It can get blurry according to the distance and lighting, but that's too advanced, let's keep it simple)...

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Keep in mind that not every shadow or light is blurred, so I don't recommend using an airbrush for everything, but you definitely should use it for the base shadows of the surface, to give it a 3D look.

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This is Cinder, she's a Tiefling Bladesinger from our Tuesday game A Simple Task (streamed Tuesdays at 8:30p EST on https://t.co/xqth9BlVKp). She's kind and protective of those she cares about, but has trouble forming relationships more than surface level (due to [SPOILERS])

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Aplats et Trame [petit HS]:

•L'aplat (de couleur) est, en peinture, imprimerie et arts graphiques, une surface de couleur totalement uniforme, qui ne varie ni en luminosité, ni en pureté. (Les aplats de blanc et de noirs existant bien sûr), comme sur ces exemples.

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