X-Men: God Loves, Man Kills by Chris Claremont and Brent Anderson may be the best single story in that X-Men ever had. Though there may be a solid contender out there.

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창작사니와 3인 (타츠, 타카에, 키리히메) / 사니와학교 if

※포즈: Claremont Colleges Digital Library의 Fashion Plate Collection 참조 (URL 기재)

※의상: 여우비(Emiliana_katana)님의 사니와학교 교복 고등부 디자인 사용
https: //twitter.com/Emiliana_katana/status/1088792699648393217

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johnny calling reed out for going wild and taking over latveria in claremont's run and then waid's run... he just knows

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While Claremont would play with themes of slavery and pilgrimage with Storm, the greatest exploration of this juxtaposition comes in UXM 122, “Cry for the Children,” in which Storm visits her old family home in Harlem, now a drug den. 3/6

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Y’all remember the Neo? And how Kitty was possibly one? What if Hickman brought them back and made them post humans along with the Children of the Vault? I know Claremont would be maaaaaad lol.

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In “Wounded Wolf” from UXM Claremont uses his most complex and detailed symbolic vocabulary in order to tell a story that illuminates Logan’s constant inner turmoil and ultimate inner desire, defining the character more concretely than ever. 1/7

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Claremont had never wanted to expand the X-line, but Marvel’s business model needed spin-offs. Claremont, already overworked, accepted the spin-offs so long as he could write them, to at least maintain some creative direction over his beloved franchise. 2/4

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Revisiting Dark Phoenix holds the potential to diminish the impact of the original story, but in UXM 175, Claremont was able to use the shadow of the Phoenix to craft a compelling, character-advancing follow-up to the X-Men’s most iconic storyline 1/7

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Upcoming Auction Highlight:
​ROBERT JUNIPER (1929-2012)
KALGOORLIE
Signed and dated 59 lower right
Oil on board
90 x 90cm

​Our Winter 2020 Auction will be held at the Wilkinson Gallery in the Claremont Showgrounds on Tuesday the 23rd June 2020.

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Healesville Landscape

▪︎Richard Claremont▪︎

- oil on board
.

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Also of interest, comparatively, is the fact that where Stoker’s Mina is very much controlled and manipulated by the men surrounding her, it’s actually Storm who gets all the agency in Claremont’s version of the story. She decides. She takes care of their Dracula problem. 5/6

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G’Morning, All!

May your welcome dreams come to reality today. - Chris Claremont, Jackson Guice, Terry Austin, Glynis Oliver, Tom Orzechowski

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As noted by Julius Darius of Sequart, the work of comics legend Alan Moore was directly influenced by Claremont. Moore praised Claremont’s run on UXM in interview while working on Marvelman, a story which drew quite heavily from the Dark Phoenix Saga in particular. 1/5

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▪︎Richard Claremont▪︎
.

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alan davis: kitty pryde is barely sixteen years old

chris claremont literally 2 issues later: kitty pryde isn't a girl anymore and she is D T F

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Claremont had also, for years, been playing with the internal divisions of the Hellfire Club and that group’s simmering hatred for the X-Men, not to mention their desire to lash out - weighed against their own image-control. There’s some delightful court politics in play. 4/7

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This puts the X-Men at odds with their bodies; something Bukatman notes, and a very relatable experience for anyone who has been through pubescence. Claremont plays with this idea extensively throughout the run and from a variety of angles. 2/5

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UXM 217-218 represents an important turning point and litmus test for the entire series. In the wake of the Mutant Massacre, Claremont uses this arc to try out new X-Men, a new direction for the series, and even a new penciler who will go on to redefine the franchise. 1/7

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Today in History, a mutant with an innate ability to invent things, debuted in Uncanny X-Men May 8, 1984

Own It (Autographed by Claremont and Shooter!) - https://t.co/PxxMYmQvTR

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