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Ruff & Reddy (1957-60) Hanna and Barbera created the series as the 1st of their fledgling television operation. It follows the adventures of Ruff, a smart & steadfast cat & Reddy, a good-natured & brave (but not overly bright) dog. They returned in a 2017 comic book. #popculture
Alice Pike Barney (1857-1931) 'Medusa'
“Medusa is always recognizable due to her striking frontality. It is rare in Greek art for a figure to face directly out, but...Medusa stares ahead & uncompromisingly confronts the viewer” Madeleine Glennon, ‘Medusa in Anc. Greek Art’(2017)
🦃 Iconographie des pigeons,.
Paris, P. Bertrand, 1857-[58].
https://t.co/7NAvVc5RYJ
Our 'Artist of the Month' for October is the William Blake (1757-1827). As well as being a painter, Blake was also a famous poet and printmaker. He is considered an important figre in the arts of the Romantic Age. See a Blake painting up close here https://t.co/PDL7VWnA4m
#クロスオーバー
#オリ忍
90年代風の碧生&イーブイ。
昨日の動…【#ピグパ ID:PR-0357-0885】@PiggPARTY(▶︎https://t.co/Nc7FxC7OiK)から投稿
Born #OnThisDay in 1757: #MariaAmaliaofSaxony (1757-1831), Duchess of Zweibrücken, daughter of Elector Frederick Christian
Portrait by an Unknown Artist, 19th century
#Wettin #PalatinateZweibrückenBirkenfeld
Rathaus, Neuburg an der Donau
257-HappyBirthday2020 @pointstriker333
#ポイントのイラスト
お誕生日おめでとうー!🍰(二週間越し大謝罪🤯)
ぽいんとへバースデーカードのプレゼントデース🎉
The Cake Is A Love🎂
Illustrations from around 1900, by Harry Wilson Watrous (1857-1940). [1] The Dregs [2] The Magician [3] The Slacker [4] Girl with the Mirror. Stylised figural works.
"My mind wanders and I get lost in thoughts of you." Anonymous
🖼️'At the Window', 1881 : #HansHeyerdahl (1857-1913) : Google Art Project
“I must create my own system, or be enslaved by another man’s.”
William Blake
(London, 1757-1827)
“The Ancient of Days”, 1794
St Sebastian (1457-8, 1480 & c1490) was painted by him at least 3 times. These show his development & growing confidence. His interest in Roman architecture & a desire to show an antique vista are apparent. So too is increased emotion as he sought to paint spiritual suffering