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The Dying Turk, 1830 https://t.co/maJ50sn8Wk #delacroix #eugenedelacroix
🦋 Die ausländischen Schmetterlinge in Abbildungen nach der Natur. v.2, plates
Erlangen: im Verlage der Expedition des Esper'schen Schmetterlings- und des Schreber'schen Säugthierwerkes,[1830]
https://t.co/K9dG9KYY6X
#theartnotes
Alexei Kondratyevich Savrasov (Russian: Алексе́й Кондра́тьевич Савра́сов) (May 24, 1830 – October 8, 1897) was a Russian landscape painter and creator of the lyrical landscape style.
Spring Thaw.
John Constable, A Seabeach, 1830 https://t.co/H7bA1exTy2 #tatemuseum #museumarchive
@dianadep1 @ejlazar @1Atsuhimerose2 @marmelyr @angelicadisogno @neblaruz @BrindusaB1 @ampomata @Spiros209 @scastaldi9 @ScrivoArte2 @lissablu68 @artmajcar @cristob45 @CristianeGLima @albertopetro2 @bgv_online @maluisa_3 @MOCarballeira @alleosa @peac4love @ceconomou56 @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @kamabi @karmendida @famartinez2001 @AnnaCountessK @Make_u2_happy Frederic Leighton 🏴 (1830-1896)
"A Girl Feeding Peacocks"
c. 1863
My first DTIYS! An 1830s rendition of botw Zelda!
- If you try it, tag me! ❤️
- Can simplify as much as you like!
- Can change pose :3
#art #breathofthewild #botw #nintendoswitch #dtiys
Have you made an Easter Bonnet so far this weekend? Perhaps you’ve taken part in an Easter Egg hunt? The Figure in this beautiful drawing by Joseph Stannard (1797-1830), certainly looks as though they might have done both!
#Amazing lithographs of #Pompeii (ca. 1830-1862). Drawing by Giacinto Gigante (Lithographer: unknown). Love the colours and details!!!
🏛️ @pompeii_sites
📸©️ @museodelprado
4/24 発売
スニーカーの文化史 いかにスニーカーはポップカルチャーのアイコンとなったか(仮)
1830年代のゴム底製スニーカーの誕生から180年に及ぶスニーカーの歴史を紐解き、スポーツやストリートのポップカルチャーに浸透し、現在のような巨大産業になり得たのかを解説
https://t.co/717nhNqes7
Fantástica litografía del Templo de Isis en #Pompeya, 1830-1862. Dibujo realizado por Giacinto Gigante (litógrafo anónimo).
©️📸 Museo del Prado @museodelprado
John Constable, A Dell, Helmingham Park, Suffolk, 1830 https://t.co/q4AUIayKti #johnconstable #tatemuseum
"La libertad guiando al pueblo." Eugène Delacroix.1830.
Al lado, Reinterpretación libre del cuadro y del concepto "libertad".
Les femmes artistes du passé, autres victimes du Covid ? Si @museeluxembourg (officiellement >>04/07) offre quelques vidéos et liens sur celles des années 1780-1830, celle sur les artistes modernes organisée à Limoges et @monasteredeBrou ne survivra qu’à travers son catalogue
@DavLucia @migliaccio31 @albertopetro2 @Rebeka80721106 @smarucci461 @scastaldi9 @LunaLeso @marialves53 @ANNAMARIABIASI1 @Biagio960 @dianadep1 @agustin_gut @culture_more @GerardBigPlus1 @angela3nipoti1 @anne_camozzi @Giannieternauta @paoloigna1 @EnricoCastrovil @erminiopasquat1 @arteeblog @artmajcar @AlessandraCicc6 @ValerioLivia @gori_magnani @CaterinaCategio @djolavarrieta 🎨 Eugène Delacroix - La liberté guidant le peuple, 1830 👋☕️☀️
Red-painted and parcel-gilt-decorated turtleback bellows, circa 1830, 17¾" x 7½", with M. Finkel & Daughter provenance, sold for $1512 (est. $200/300) at @Sothebys https://t.co/ftHlWaHBP8 #antiques #antique #art #artist #Americana #bellows #decorated
John Constable, View on the Orwell, near Ipswich, 1830-1855 https://t.co/CWiDg42dCS #minneapolisinstituteofart #johnconstable
Rose anthelid moth & variable anthelid moth, by #HarrietScottMorgan (Australian, 1830-1907), who was born #otd (Mar 23). From "Australian Lepidoptera & Their Transformations, Drawn from the Life" Vol. 2, illustrated by Helena & #HarrietScott; source, https://t.co/wM6tusVRy0