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Il Ramoscello, Dante Gabriel Rossetti, 1865 https://t.co/ghxtn3ODvf #dantegabrielrossetti #museumarchive
Study for ‘Giotto Painting the Portrait of Dante’, Dante Gabriel Rossetti, 1852 https://t.co/96Nbuuhq5k #dantegabrielrossetti #tatemuseum
The Chapel before the Lists, Dante Gabriel Rossetti, 1857 https://t.co/XxZTyfwSnO #tate #tatemuseum
Portrait of Mrs. Vernon Lushington, Dante Gabriel Rossetti, 1865 https://t.co/0I2UgE2Q16 #harvardartmuseums #dantegabrielrossetti
Veridiana Victoria Rossetti fue la primera mujer en ejercer como ingeniera agrónoma en Brasil, siendo una gran especialista en las enfermedades de los cítricos.
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#GlobalHandwashingDay has never been more important
#WashYourHands 🧼
Dante Gabriel Rossetti shows us how, Washing Hands 1865
When Eurydice dies from a snake bite, Persephone persuades her husband Hades to release Eurydice back to Orpheus. Sadly Orpheus proves incapable of following instructions & she ends up back in the underworld https://t.co/IvLMue2I7B (img: Dante Gabriel Rossetti) #folklorethursday
It is often overlooked that once it was arranged that Persephone would return to the living world for 6 months every year, (one month for each pomegranate seed she had eaten), she became equal to Pluto in ruling the underworld & did so very well. #FolkloreThursday Img: Rossetti
Dante’s Vision of Rachel and Leah, Dante Gabriel Rossetti, 1855 https://t.co/5plYj0GJ9M #tatemuseum #museumarchive
Study for Predella No. 2, for "Dante's Dream": Dante Awakening from His Dream, Dante Gabriel Rossetti, 1879 https://t.co/I5XJIqMdNl #dantegabrielrossetti #harvardartmuseums
Perséfone comiendo la granada que la hará entrar en el reino de los muertos con su esposo Hades que la había raptado por su belleza. Dante Gabriel Rossetti.
The Passover in the Holy Family Gathering Bitter Herbs, 1856 #englishart #dantegabrielrossetti
Ymosododd y bardd Robert Buchanan ar Rossetti mewn adolygiad ym 1871, gan ddisgrifio ei beantiadau yn 'morbid', ac yn dweud bod dim byd hollol call am ei gwaith.
DG Rossetti, Rosamund Deg, 1861
Poet Robert Buchanan publicly attacked Rossetti's paintings in an 1871 review, calling them 'morbid' and 'fleshly', and describing their 'weary, wasting, yet exquisite sensuality; nothing virile, nothing tender, nothing completely sane.’
DG Rossetti, Fair Rosamund, 1861