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Pierre Puvis de Chavannes, Study of a Seated Nude Female Model Drawing, c. 1888-1898 https://t.co/QUjojnNWXG #cmaopenaccess #clevelandartmuseum
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#ArteYart Paysages de Cézanne. Bord de Marne 1888-1890 - Le Pont 1895-1898 #CollectionMorozov exposée actuellement à la @FondationLV https://t.co/zMK7WQOiDr
I’m also wishing you all a Happy Fairy Friday with Margaret Tarrant’s (1888-1959) deft & delicate fairy works. She started off by painting Christmas cards, & then, over time, her enchanting, artistic worlds unfolded 💜
#FaerieFriday
Timothy Cole, Old Italian Masters: The Tribute Money, 1888-1892 https://t.co/doTZYHBXtr #clevelandartmuseum #cmaopenaccess
Oda Hironobu (1888-?)
Night Fishing At Lake Hamana
1930s
#woodblockprint #japaneseart
Oda Hironobu (1888-?)
Scenery Below Miidera On A Rainy Day
1930s
#woodblockprint #japaneseart
From 1888-9 he evolved further & turned towards a form of Symbolism called Idealism. The Evil of Perversity (1891), Portrait of Madame Stuart-Merrill (1892) & Medusa (1893). Belgium was a key centre of Symbolism at the time.
Today's dose of beauty: illustrations for Hans Christian Andersen's "The Wild Swans" by Milo Winter (American, 1888-1956), Harry Clarke (Irish, 1889-1931), and Adrienne Ségur (French, 1901-1981).
@chicken_ikou ①888-はちみつ- です!
②はちみつ(代理)をお願いします!!(´∀`)
③置けるだけ置いておきます〜!!
ぜひよろしくです(´˘`*)
Mr Hannen Swaffer, 'A Nose for News', c.1940, Mark Wayner (1888-1980)
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Ben Uri Archive: Cartoons and Caricatures
Learn more at https://t.co/STQsNmJrHo
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