Carnival. Cover illustration for Jugend magazine by Josef Geis

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One of the test level/hub backgrounds. Meant to look like a carnival. This is a layer that goes on top of another background btw.

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Yu-Gi-Oh! Zexal: World Duel Carnival... Es la hora del D... d d d ¡Duelo de Portadas! 🌟

¿Cuál os gusta más, la japonesa o la europea?

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Koviir, my carnie bard who has no recollection of life before the carnival. It’s probably fine.

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"Children's Carnival." 1946. American. Wood engraving on thin Japanese paper. Signed and titled in pencil on the lower margin. Paul Landacre, artist (1893-1963).via https://t.co/UmbLF8KbOa

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More owl house au content, my gf and I for grom this year and my demon boys at the carnival. It’s really fun drawing ocs in the owl house style I might do it again…

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Marc Chagall, The Carnival. Study for backdrop for Scene II of the ballet Aleko, 1942 https://t.co/AXDHFWgiDk

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Too early for Hoildays but not for cookies. Disney’s cookie queen for the cookie carnival.

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My tabaxi rogue Noépse, but as a kitten, visiting a magical carnival. She loved magic

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Finished all of the L4D2 campaigns

My favs are prob Hard Rain and Dark Carnival. The storm gimmick in Hard Rain was genuinely nerve-racking, while Dark Carnival's atmosphere was amazing

Also, Parish's ending gotta be one of the biggest clusterfucks ever, in such a damn good way

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[JP] En effectuant une quête limitée, vous pourrez obtenir une Craft Essence pour célébrer la seconde saison de Fate/Grand Carnival.

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Another traditional sardinian monsterboy, this time he's wearing one of Su Boe's masks, from the Ottana's carnival.

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Marc Chagall, The Carnival. Study for backdrop for Scene II of the ballet Aleko, 1942 https://t.co/AXDHFWgiDk

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Day 7 of and part two of "Creepy Carnival."

These three took me a while to come up with due to other ideas I had. There are other carnies, but these are the main three.

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Day 6 of and the start of a new theme. With "Creepy Carnival" as the topic, I've decided to make a bunch of monsters that run a carnival. Because why not?

This is Dougmore, the easily excited "ticket booth" and the largest of the monsters.

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Marc Chagall, The Carnival. Study for backdrop for Scene II of the ballet Aleko, 1942 https://t.co/STJgdrYqyk

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They get a makeover to look like Frankenstein in Fate/Grand Carnival.

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