Visual connectivity is key to conveyance - which is that if you can see the source of dialogue, it becomes easy to make clear they are the source of the your text speech. Careless obfuscation hampers your readability - something you never want as a creator.

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I draw them digitally - while my art is done in Clip Studio Paint, lettering and bubbles are done in Affinity Designer, which allows for clean scaling of the text without quality loss.

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Ahoy - a little late, but I am of course Patrick Tsao, lead artist on , a military sci-fi drama in the vein of Battlestar Galactica, except with aliens instead of robots. Check it out at https://t.co/xjgM9idraM - good to be here.

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a Neutral / Angry or anything that shows they've just fucking lost it
My icon is also a good example of facial expressions I like, somethin sad in that smile

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A1: If I'm doing this, it's usually for fun somehow, or I'm trying to figure out some specific faces. It tends to look more like this picture than a real layout of any kind.

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Hi there! I'm an illustrator working on a horror webcomic called The Stela, which can be found here. https://t.co/5ZANYGlA9Q I (try) to post an update every Thursday.

Here's some of my webcomic art that I'm particularly proud of!

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I might start using this platform more than IG, oh also TikTok!

Feels good to be back to do what I love, create! 🌱✨

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Webtoon is trending so.....check out my horror webtoon called The Stela! https://t.co/G0Uo4tMmXa
Here's some art from it that I like :)

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I'm Allen T. & I'm working on coming-of-age manga-styled anthro webcomic MAOR. ✌️
*check out my profile for comic links!

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i tweak perlin noise and static to get camo pattern i dont have to spend hours drawing!

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Hi ! I'm working on a horror webtoon called The Stela and it can be found here https://t.co/5ZANYGlA9Q

Here is some art from it that I like a lot:

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