"Not What I Was", here.

A cyberpunk-ish dystopian comic in a world where generations of bio/nanotech have resulted in a society divided by species as much as economics.

And this week, celebrating the comic's third anniversary!

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As always we have Half-Man - a military sci-fi drama in the vein of Battlestar Galactica, except with aliens instead of robots. Check it out at https://t.co/nRj6xwje54!

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This weeks update for my 'Closer' is up. Please check it out, our dude's just taking time to observe his surroundings.

Link
https://t.co/nyMevNduXY

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My superheroes have not worn their costumes much yet, and the angels in my other comic tend to dress casually. Here’s two examples from each!

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A5: I don't think I could possibly just pick one favorite, but here are a few I love!

Sir Hiss (Robin Hood)
Madam Mim Dragon (Sword in the Stone)
Ozy (Ozy & Millie)
Sarcophagus Macabre (Pogo)

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That's a huge one to decide so I'll just go with 4 off the top of my head. Disgaea designs, Air Gear designs, Final Fantasy designs and MHA designs. It's all over the place but I love them all.

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ayami kojima's design for Alucard. her costume and proportions are beautiful and immaculate. the design she gave him gives him style and radiance

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A2: My characters are usually au naturel, but do often wear scarves, especially in the colder months 🧣

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A5: Some of my favorites are Ozy and Millie (Ozy & Millie), Calvin and Hobbes (Calvin & Hobbes), Sabrina and Zig Zag (Sabrina Online), and Sam I Am and Guy Am I (Green Eggs & Ham) 😀

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Earnestly, my favorite is any type of speech bubble, but done in an avant garde manner. Examples from A Lesson Is Learned But The Damage Is Irreversible by and Not Included by . There is beauty here.

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Visual connectivity is key to conveyance - which is that if you can see the source of dialogue, it becomes easy to make clear they are the source of the your text speech. Careless obfuscation hampers your readability - something you never want as a creator.

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