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MMPR /// i like this panel not just for the tomberly crumb, but also for aisha being just fine with leaving tommy to get beaten up somewhere
Now that @CrashOnTheRun has opened Pandora's box with Mr. Crumb, it would be interesting to see redesigns of the Crash Bandicoot 2 manga characters.
Here are some of the more interesting villains, in my opinion.
#crashbandicoot #CrashOnTheRun #crashbandicootfanarts
Morning! Over the past couple of months, I've been chipping away at this personal project in my spare time and I finally finished it.
Design and illustration for Crumb, an independent and artisan bakery 🥖
https://t.co/IWZpYeHWnd
@CupToast we love you too crumb, take a break if you need to 💚
Left literately the size of a crumb, feeding his energy to him in return for a cozy endo life...
6/12/20 sketchmission for @KeareCryos! (Reuploaded! Hopefully not too compressed!)
Namio Harukawa ganará popularidad internacional gracias a sus dibujos de sadomasoquismo en revistas de SM, que suelen mostrar mujeres obesas dominando a hombrecillos, con un estilo grotesco que recuerda a los personajes de Robert Crumb, Manara y Fellini
[Reddit Post] My draw of Mr. Crumb, obscure character in the Crash series. I want to see him in CTRNF, one day https://t.co/wbITGUY4QJ
Here are his hypothetical CTR alt skins that I made messing with the hue and saturation: Toxic Crumb, Dead Cold Crumb, and Infernal Crumb
Today I drew my own OC x'D This is Crumb, originally a Cat OC, but since I dont draw cats that often anymore I want to give some of them a human form, just so that there is the slight possibility of me drawing them x'D
As you can see there are also a lot slots still open:
It’s my OC and I can give her as a cat if I want!! Meet crumb, a stray that wandered into Clareece’s apartment that she decided to keep.
@AyColdPiece Hey thanks man! Here's some more Crumb/Darrow hybrid for you. Straight from issue #2.
Thanks for the double compliment. I'm more influenced by Crumb, but always aspired to be Geoff.😁
'Zeke Yougboood's Dance Marathon'
Original by Reginald Marsh, 1932.
Interpretation by R. Crumb, 1996.