John Everett Millais
Portrait of Nina Lehmann, aged nine, later Lady Campbell, full length in white dress

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Constantin Guys, A Parisienne Seen from the Back, 1850s(?) https://t.co/gaKmmzAJ2l

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Maestro Daddesco, Annunciation in an Initial M, ca. 1310–15 https://t.co/6kjEUz3xd5

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Wonder Woman by ErikVonLehmann

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今天的白色節日什麽的,都唔關我事。

反正我明天可以去睇仔~

Thank you オズリーさん @/KNT_lehmaiozIy

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Maurice Brazil Prendergast, Large Boston Public Garden Sketchbook: A woman in a veiled hat decorated with poppies, 1895–97 https://t.co/qL8og8iVt5

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I did another commission for

Meet Putru, the Muscan Swarm Druid.

Muscans come from the Insectopia homebrew book, and I'm once again replicating the really cool art style by @\thiago.lehmann for this piece!

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'Medium II' by Andrea Lehmann (2006)

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Giovanni Battista Tiepolo, A Group of Punchinelli Seated, ca. 1760 https://t.co/lGcY7Krvpi

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"In Air and Fire, War the Battle of Britain and the Blitz". Exhibition at the RAF Hendon. Underground depictions during the Images by Olga Lehmann, Doris Zinkeisen, Claude Rowberry and Mary Viola Paterson

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Work of the Week 50 is ‘At A Hollywood Screening’ by Olga Lehmann (guache, 1992). https://t.co/Kg8DIE9rw8
Lehmann’s work has been seen by millions as the background of American TV series such as Dynasty and The Colbys. She died in Saffron Walden in 2001.

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I Heard I Was a Wild One but I Don’t Remember Me (I Hope You Find the Stillness in the Trees), 2021, Charcoal, Conté & Pastel on Paper, 41 x 35.5 in
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On view at February 17-20th Booth A9 with
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needed to compare their heights this goes out to the lehma/harcourt fandom (me)

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I Can’t Seem To Shake the Young Man’s Blues (Pretty Soon I’ll Be So Lonesome I Could Cry), 2021, Charcoal, Conté & Pastel on Paper, 30.5 x 22.5 inches
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On view at February 17-20th
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Eugène Delacroix, Hamlet and Horatio in the Graveyard, 1827–28 https://t.co/luw7LE1GjX

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