Portrait of a gentlewoman, 1520, by Antonio da Correggio of Parma. Today is his day.

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2/2 Putti and their dogs decorate the abbess's private chamber, thanks to Correggio. Excellent!

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The Mystic Marriage of Saint Catherine, by Antonio da Correggio

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パルミジャーノ・レッジャーノ【parmigiano reggiano】

チーズの王様とも呼ばれる、イタリアを代表するチーズです。
イタリア北部のエミリア・ロマーニャ州にあるParma(パルマ)とReggio Emilia(レッジョ・エミリア)という地域で主に作られていることからこのような名前がついています。

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Saint Anthony Abbot, by Antonio da Correggio

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CORREGGIO (Antonio Allegri) 1489-1534
Ritratto di Dama" 1520 ca
San Pietroburgo - Hermitage
Chi è la gentildonna?
Veronica Gambaro o Ginevra Rangoni?

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Born in 1750: (1750-1829), Duchess of Massa, heiress of Modena & Reggio

Portrait by (1736-1807), ca. 1780-95

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Noli me tangere, Correggio

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Noli me Tangere by Antonio da Correggio, c. 1525

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Also by Francesco Bartolozzi...

"Cottagers at the bottom of Mount Vesuvius"
"A Calabrian Family from the environs of Reggio"
Stipple engravings in original color
After the painting by Francesco (1728-1815)
London, 1799

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THREAD: Problems depicting HEAVEN # 1: Overpopulation.
Renaissance painters attempted to depict the vast number of saved souls in heaven plus the hierarchy of angels. The result: heaven is depicted as overpopulated & cramped. Hellish
Correggio - Assumption of the Virgin (1522-30)

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My today's 20th century Italian artist is Nunzio Bava who drew the people of his native Calabria, labourers, the fields, the sun-sucked soil. His work is in the Palazzo della Cultura, Reggio Calabria, (opened May 2016)

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El rapto de Ganimedes es uno de los temas mitológicos más representados en el arte.

¿Cuál de estos 4 cuadros os gusta más? 🤔
1) Rubens (1636-1638)
2) Le Sueur (1650)
3) Anónimo (s. XVI)
4) Correggio (1531)

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Antonio Allegri da Correggio ( 8 August 1489 – March 5, 1534) was a  Italian painter--Τὴ νύχτα θὰ συκώνομαι κι ἀγάλια θὰ νυχοπατῶ,

νὰ σκύβω τὴν ἀνάσα σου ν᾿ ἀκῶ, πουλάκι μου ζεστὸ

νὰ σοῦ ῾τοιμάζω στὴ φωτιὰ γάλα καὶ χαμομήλι,

κ᾿ ὕστερα ἀπ᾿ τὸ παράθυρο

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Problems depicting HEAVEN # 1: Overpopulation.
Renaissance painters attempted to depict the vast number of saved souls in heaven plus the hierarchy of angels. The result: heaven ends up depicted as overpopulated & cramped - hellish.
Correggio - Assumption of the Virgin (1522-30)

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