Pavel Tchelitchew, Nobilissima Visione or St. Francis, design for ballet, 1938 https://t.co/3bA9U0QJ6m

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Marc Chagall, Gluttony I (La Gourmandise I) from The Seven Deadly Sins (Les Sept péchés capitaux), 1925, published 1926 https://t.co/TT8EASyAfU

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Andy Warhol, Untitled from À la recherche du shoe perdu, c. 1955 https://t.co/PceuuiUnzW

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Pablo Picasso, A la ville de Cordoue from Vingt poëmes, 1947, published 1948 https://t.co/jMTpZYrU8B

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Marc Chagall, A Policeman and a Peasant. Costume design for Scene IV of the ballet Aleko, 1942 https://t.co/WJMPAusG5B

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Oskar Kokoschka, The Crucifixion (Christus am Kreuz) from the series The Passion (Die Passion), (1916) https://t.co/dNdBSosiEv

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Andy Warhol, Untitled from À la recherche du shoe perdu, c. 1955 https://t.co/xhzjQBFgoa

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Oskar Kokoschka, Portrait Paul Westheimfrom the periodical in portfolio form Die Schaffenden, vol. 4, no. 3, (1923) https://t.co/wmy1JiPLAJ

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Paul Klee, The One in Love (Der Verliebte) from Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses), 1923 https://t.co/Rvz8AKEgHd

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Oskar Kokoschka, Couples in Conversation (Paare im Gespräch) (in-text plate, folio 7) from Die träumenden Knaben (The Dreaming Boys), 1917 (executed 1907-08) https://t.co/sk0d5AUjW1

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Mark Grotjahn, Untitled (Colored Butterfly White Background Two Wings A#1 503), (2004) https://t.co/uzaVDXgGrg

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Francis Bacon, Study for Portrait, Number IV (After the Life Mask of William Blake), 1956 https://t.co/EoxCRz2xD7

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Oskar Kokoschka, Job, Anima and the Contortionist (Hiob, Anima und der Kautschukmann) (plate, page 27) from Hiob (Job), 1916–17, published 1917 https://t.co/BJvZHoMjVG

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