画質 高画質

What is this strange object that Percy found in the wilderness?

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You know what i mean. Healer heals the wounds to prevent it from becoming much worse. But once the 'object' is gone, it's forever. However, Orihime, she restores, she repairs, she UNDO the wounds.

Take a look at how Unohana & Orihime showcase their abilities.
See the difference?

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"omg it's an ice cream pokemon? they really are running out of ideas"
bitch if making inanimate objects into pokemon was a sign that they were running out of ideas then they were running out of ideas from the start

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Kirb OC I made a bit ago: Mira.

They have no real ambition other than the thrill of adventure, and their main means of offense is absorbing inanimate objects into their sword to change it's form. Without either half of their sword, though, they're kind of fragile as glass.

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one of the funnest things about the costume redesign is that its blatantly playing into the fetish while bringing a sense of authentic sensuality, rather than simply objectification

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survival au Evatrice be like; *objectifies Natsuhi all the time and constantly makes fun of Eva for her complicated feelings towards her*

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OBJECTION!, HEARSAY!! - Johnny Depp

[They need to lock this man up… FOR LOOKING SO DAMN GOOD!]

(Anyone else addicted to watching this court case 😅 No? just me 😬)





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“Wrapped in circles”
This piece illustrates the nature of our relationships as humans. Our daily lives basically are either wrapped around people, objects, feelings, places, activities and lot more. Some times we tend to leave a bigger circle only be wrapped a smaller one…

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SHADOW CINEMA ON CAVE WALLS
PLATO (428-347) B.C.
This Greek philosopher writes that rays of light are emitted from the eyes, and that objects receive these rays. He also philosophizes about shadows on cave walls.

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헬리아 (Helia)
두쌍의 팔과 인상이 강해보이는 선글라스를 쓰고 있고 X자와 입가에 흉터가 특징이며 불머리가 유동적으로 바뀐다.
능력은 기본적으로 불계열이지만, 분노를 하면 용암으로 바뀌게 된다. 무기로는 자신만한 대검이나 평소엔 주먹으로 싸운다.

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I have Objection Funk stuck in my head

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Kintsugi: the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold. As a philosophy, it treats breakage and repair as a part of the history of an object, rather than something to disguise.

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