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Edgar Degas, Young Woman with Ibis, 1857-58; reworked 1860-62 #edgardegas #europeanart https://t.co/6iPJNU5K7K
Delighted to confirm that @tania_rivilis will be ART IN 10's second guest - 9pm CET Monday 8.8.2022
Join us for this series of high impact interviews
Tweet with Reminder will be posted by @AttikusNFT - Sunday pm - European time zones
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me when the cemetery groundskeeper sees me stealing the teeth, jewelry, and feet stink from the grave of the rich european duchess who was just buried there yesterday
Tritonia Crocata (Flame Freesia), 1780 #museumarchive #europeana https://t.co/eoTjaiS3kb
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Here are two BOXY European cars... the Fiat Panda and Skoda Yeti!
Hugo Simberg, Garland Bearers, 1906 #europeana #finngallery https://t.co/cDr90zWKch
Lucas Cranach the Elder and Workshop, Saint Maurice, ca. 1520–25 #europeanart #lucascranachtheelderandworkshop https://t.co/np4v6VGoLd
Preparation for the Crucifixion, early 1600s #europeanart #cmaopenaccess https://t.co/reG0KoRzhv
Twee vogels: een blauwe gaai en een purperborstcotinga, 1760 #rijksmuseum #europeana https://t.co/WsOgkaHVqA
Paul Klee, Portrait of a Pregnant Woman (Bildnis Einer Schwangeren Frau), 1907 #museumarchive #europeanart https://t.co/ItRqPRMVs2
William Leckie, Kaartspelend gezelschap in Suriname, 19?? #europeana #rijksmuseum https://t.co/FBO718fPdl
Twee mannen in historisch kostuum, 1841, 19?? #rijksmuseum #europeana https://t.co/gVKjYdXpU1
Het gebed voor de maaltijd, 1786 #museumarchive #europeana https://t.co/lIO0a65sbP
The logo was inspired by various Spanish Police force & military emblems (2 shown here but not the only 2 I reffed). The "dragon" in the emblem was stylized after european heraldic eagles & lions, & the overall color scheme matches the colors of the Veilenrōmen royal guard. (2/3)
Pieter Christoffel Wonder, Charles Thompson, c. 1818 #clevelandartmuseum #moderneuropeanart https://t.co/oJ58HQwYgO
Panel of an Altarpiece with Circumcision of Christ, on verso is Resurrection of Christ #museumarchive #europeana https://t.co/xMHh2buDZk
Symbolism is apparent in his depiction of an old woman as herald of death & love as a subject of worship. Death’s Walk (1896), The Cult of Venus (1895). Photograph of Enckell. Enckell was familiar with Munch’s work as well as that of other European symbolists