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(13) Titian was considered by his contemporaries to be the greatest living Venetian painter. His command of colour & understanding of how the eye mixes colours from a distance provided a richer visual experience closer to life. My favourite pic of his is Bacchus & Ariadne (1522)
24 Ramadan - SAUDARA JAUH
Karya: @paehdesign
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Saudara jauh - distance means so little when someone means so much...
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Rindu Rasulullah? Ayuh sholawatan!
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#DKV
#DaieKreatifVenture
#AlternatifHiburanAkhirZaman
#inkramadan
vent art because long distance sucks ass :U
but hey I found some neat PS brushes
I tried shadow mapping & distance fog.
#webgl #threejs
demo: https://t.co/4yYfPlWzJi
code: https://t.co/7IGGcWO7us
Rays of multi-colored light radiate from behind the clouds in this Western sunset. The distant angular mountains add a sense of rhythm as they change color into the distance.
Radiant Sky
View Online: https://t.co/R9V1wvKpV1
#ImpastoPainting #OriginalPainting #ErinHanson
The best kind of story has just the right kind of sorrow, the right kind of suffering, and a point of light in the distance that seems to promise that they're going to emerge from the pit, scarred and bruised and made whole by awful, beautiful catharsis. #amwriting #FaithEnough
@FappaRoss -PUMP UP THE JAM playing in the distance-
@kyunyoyo Icy doggo says woof (hi) before majestically running off into the distance.
BTW HERE'S THE OTHER ONE [where is my mind emily browning version starts playing in the distance]
#originalart #traditionalart #originalcharacters
Raymarching エフェクト練習
- Edge detection
- Iteration-based aura effect
- Distance-based fog
#raymarching #shader
#JakeDiary
Shortly after the day’s fourth milk run I notice Kevin the Porg staring into the distance. He seems disturbed by something. I follow his gaze & see he’s looking at what appears to be Obi Wan. It’s hard to tell from this distance but something seems to be wrong.
Colors for the cover of Null Faeries issue 1. Getting excited to see the finish line in the distance on completing this series. Issue 2 is lettered and issue 3 is being colored now. Colors by Eddy Swan and new logo design by Cheryl Black