画質 高画質

Finally I can share my submission for The S/S18 collection is beautifully balanced with contrasting elements which makes it so exciting!

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Simultaneous contrast is wild

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Padparapscha so far! now to reword the backgroud, contrasts and details! (I'm still on!)

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Gracias Twitter por reproducir mi gif no como otros :'@ djdjdjjsm me gustó mucho como quedó con todo y sus detalles X'3 debo practicar el alto contraste y eso -cry-
>3< lo máximo que había podido hacer era que un pj. Parpadeara y ahora mueve la cabeza qvq
https://t.co/e1Ke8i7xLE

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another watercolor commission from a bit ago. Was fun to work on character contrasts

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Ok I like bright contrasting paintings I guess. This will be for sale at as an 11x17

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Tanto bello quanto spietato con i propri personaggi. Criminal è una montagna russa di emozioni e sentimenti contrastanti, di plot twist imprevedibili e donne letali.

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Beyond simply representing a picturesque view, Carmichael liked to capture contrast; “Light and Shadow” (1937)

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Also if she existed in the 60s :P (was messing around with the contrast and had to upload this haha)

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So it turns out that Beerus is actually really fun to draw. Didn't mean to make him look this scary, tho. Background is sorta inspired from a scene from the Head Cha La opening. Love that old school light/contrast effect. Still learning to color stuff.

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New pic. I need to add more contrast in future images.

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hunter riso in contrast to unicorn vanilla..HE GOT BIG DOG

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【お仕事告知】4月29日開催の『M3 2018春』で原田ひとみさんのサークル『HoneyContrast』にて頒布される『チチをもげ!』原田ひとみver.のジャケットイラストや収録されているイラストを描かせて頂きました!スペースは『S-10a、b 』です!原田さんのとってもセクシーで元気の出るチチもげ最高です!

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PARALLEL CONTRAST / イリヤスフィール・フォン・アインツベルン(CV.門脇舞以)&クロエ・フォン・アインツベルン(CV.斎藤千和)

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Contrast is king!

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> EDG64 :::.
Honed over years of palette creation, refined for materialistic pixelart and design. High contrast, high saturation, shaped around painting the organic and structured life of the heptaverse - Please RT! ❤️
PNG: https://t.co/vMvS62uilj
ASE: https://t.co/huaiJr6rrO

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Drawing Tip:
The colors of a background can be distracting, so you can use less contrasts (I used the same color hue in this but you can use different colors), that will make the characters "pop-up".

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Cornelis Visscher’s engraving is one of the softest, most tactile renditions of a cat ever printed. The breathless mouse sneaking by the corner grate seems barely present in contrast, so light and ghostly is its fur.

See "The Large Cat" (1657) on view in Prints and Drawings.

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