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“I like to think that I’m giving the viewer a lot to look at. Contemporary art doesn’t like to give all that much, you know?” Peter Saul talks about his life and art: https://t.co/DNuofkE1FO
Picks | Lillian Davies on Fiona Rae at Galerie Nathalie Obadia, Paris https://t.co/sqVvbmBlqA
Picks | Gabriella Pounds on Freida Toranzo Jaeger at Arcadia Missa, London https://t.co/tn8sn9LiNv
Picks | Joseph P. Henry on Pierre Puvis de Chavannes at Michael Werner, New York https://t.co/Ib7ZIvDfQM
“I decided to use myself in my paintings because I wanted it to be a specific body, a specific person that is not idealized, so that the culture absorbs people as they are, not as they would like them to be.” Revisit our 2013 interview with Joan Semmel https://t.co/viB7rRvkpz
Picks | Sophia Larigakis on Jamie Gray Williams at Selenas Mountain, New York https://t.co/soiVaLk9qR
Amy Taubin on the "Rated X" series at @QuadCinema, which plays through January 10 https://t.co/RJNNCKm6MG
"An effective means by which to picture the freakish uncertainties of our post-climate age." https://t.co/xSjmi72SSm
"Iterations from the Pollock painting machine": Jordon Kantor on the artist's late work https://t.co/r0DSAhNItx
"'Silent Explosion' blows up the conventional idea of a retrospective." https://t.co/yWqhJLRCC5