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For socialist arts and painting

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# ddr

Július Szabó (1907-1972). Workers/ The Revolutionary, from the Revolution Series, 1961. Slovak National Gallery, Bratislava, Slovakia.

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6) That introduces worker control of production.
7) That produces in the countryside all that is needed for the front and the rearguard based on a plan but respects the product of the work of the peasant masses, whether individual or collective.

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4) That nationalises and reorganises our primary industries, beginning with the industries of war.
5) That creates a coordinating council for industry and the economy in general, in which all technicians and specialists of the Popular Front are represented.

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Reinhold Rossig (German, 1903-1979). A Modern Still Life, ca 1960. Oil on card, Bauhaus Dessau Foundation, Dessau-Roßlau, Germany.

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Miroslav Marček (1929-1995). The 2nd Czechoslovak Parachute Brigade (Weapons, Training and Combat), 1974. East Slovak Gallery, Košice, Slovakia.

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Guttuso completed this series between 1943 and 1944 when the liberation struggle was not over with inks provided by clandestine printers in Genoa. There, he acted as a liaison between the Roman command of the Garibaldi Brigades and the Marsica front.

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Izaak Celnikier (Polish, 1923-2011). Korea, ca. 1954. Oil, canvas. Jacek Malczewski Museum in Radom, Poland.

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Jan Hála (1890-1959). Welcoming the Red Army in Važec, 1952. Oil on canvas, 145.8 x 210.8 cm. Slovak National Gallery.

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Convicted (1956) & Victims of Fascism (1957). Chalk, aquarelle, watercolour. Slovak National Gallery.

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Tortured to Death (1956) & Victims of Fascism (1956). Chalk, aquarelle, watercolour. Slovak National Gallery.

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