artforumさんのイラストまとめ

“When I first set out to write about Rivera’s ‘Vaccination,’ I thought its story might help give us some insight into present circumstances. Now, I’m not so sure.” @mlobelart on the aporias of Diego Rivera’s vaccination fresco in Detroit: https://t.co/vNdg7JhkaV

“The subversion of expectations turns what could have been a staid, Old Masterish presentation of an all-too-well-known canonical artist into something suspenseful and dramatic.”

Paul Galvez on “Cézanne Drawing,” closing soon @MuseumModernArt: https://t.co/kMkA4WqswK

“Gökçen Cabadan pairs a seemingly listless abstract plane with nostalgically realist figuration, so that the awkwardly cropped, imaginatively blurred compositions illustrate the puzzle of subjectivity.”

@kayagenc reviews “Gaslighting,” at Öktem&Aykut: https://t.co/X1EofQXXfP

“Imbued with a context of unspeakable loss, Richard Jaray’s unrealized interiors serve as reminders of the collective responsibility needed to preserve memory, however painful,” writes David Mistreli.

Critics' Pick: “Return to Vienna” at Exile Gallery https://t.co/lJ7UHrd4Yt

“It seems as if, ironically, the loss of his eye empowered Brauner to see the future.”

@MaraHoberman on Victor Brauner @MAM: https://t.co/uGA5z727aF

“Marking Time: Art in the Age of Mass Incarceration,” has won the NBCC Award for Criticism. @NicoleFleetwoo2 discussed her incisive guide to the multitudinous practices, aesthetics, and conditions of art made by those in captivity in our September issue: https://t.co/YHr7EHxmjo

“Grounding movement—and the mediation of memory—fully in the authorial body, Mitchell discovers her true subject.”

Molly Warnock on the art of Joan Mitchell: https://t.co/PCVNSAsxGu

Elvia Wilk (@3LVVIA) writes that the virus’s presence is simultaneously too little and too big for her to comprehend it. “I can only understand it in terms of a story about the world.” So how should fiction adapt? https://t.co/hs1bBPce5z

“I was drawn to the portrayal of diasporic queerness in Toor’s paintings. It feels vivid and full of possibility.”

Simon Wu on Salman Toor at the @whitneymuseum: https://t.co/VqjvElxWOT

“In Antônio Henrique Amaral’s oil paintings, abstraction takes on a violent carnality, a voluptuousness shadowed by mortality.”

@ElaBittencourt on “Agglomeration Amaral” at Tomie Ohtake Institute: https://t.co/Teb8pJQw5W