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The World's Premier Art Magazine since 1913. Follow us on Instagram @artinamerica
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Fatness & Feminism

Roxane Gay () and Jenny Saville discuss unruly bodies in painting and in literature. https://t.co/kmOEgkU9FS

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Artists, galleries, and other stakeholders in the crypto space are exploring online exhibitions to create context and cultural value for NFTs. writes on platforms like and as well as other projects: https://t.co/wvFjpVqNzp

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Framing conservator Allison Jackson discusses creating and restoring frames for works by Picasso, Van Gogh, and Titian. https://t.co/mIMfSPGuuA

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It has traditionally been a harder struggle for women who have moved between mediums to convince the world that they are suitably focused and serious. https://t.co/U02KSbP7HK

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In 1937, numerous paintings by Ernst Ludwig Kirchner were hung in the Nazis’ infamous “degenerate art” exhibition. Less than a year later, the artist took his own life. https://t.co/yZNpf5kq8q

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“Access to information is something that we are all designers of, so we all have a responsibility.” Read design historian 's conversation with artist Shannon Finnegan () https://t.co/0kOgY6WgDi

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A Zilia Sánchez retrospective is now on view at in New York. Christina Bryan Rosenberger reviewed the show for A.i.A., considering the erotic qualities of Sánchez's shaped canvases, after it opened at the in the spring. https://t.co/clB7jV5bYw

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Review | on Joan Semmel at Alexander Gray Associates () https://t.co/nts4e1gSEd

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R.H. Quaytman writes of Hilma af Klint: “She was able to deploy visual ideas by asserting that they were not her own. I, too, occasionally use this technique of finding a way to paint through another artist’s authority.” https://t.co/qIdTwBTQzr

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