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Fatness & Feminism
Roxane Gay (@rgay) and Jenny Saville discuss unruly bodies in painting and in literature. https://t.co/kmOEgkU9FS
Artists, galleries, and other stakeholders in the crypto space are exploring online exhibitions to create context and cultural value for NFTs. @briandroitcour writes on platforms like @feralfile and @______jpg______ as well as other projects: https://t.co/wvFjpVqNzp
Emily Watlington (@KeysWalletPh0ne) reviews @riva_lehrer's memoir Golem Girl (@OneWorldLit) | https://t.co/nq9y4CMJCV
Framing conservator Allison Jackson discusses creating and restoring frames for works by Picasso, Van Gogh, and Titian. https://t.co/mIMfSPGuuA
It has traditionally been a harder struggle for women who have moved between mediums to convince the world that they are suitably focused and serious. https://t.co/U02KSbP7HK
In 1937, numerous paintings by Ernst Ludwig Kirchner were hung in the Nazis’ infamous “degenerate art” exhibition. Less than a year later, the artist took his own life. https://t.co/yZNpf5kq8q
“Access to information is something that we are all designers of, so we all have a responsibility.” Read design historian @AimiHamraie's conversation with artist Shannon Finnegan (@shanfinnegan) https://t.co/0kOgY6WgDi
A Zilia Sánchez retrospective is now on view at @elmuseo in New York. Christina Bryan Rosenberger reviewed the show for A.i.A., considering the erotic qualities of Sánchez's shaped canvases, after it opened at the @PhillipsMuseum in the spring. https://t.co/clB7jV5bYw
Review | @eric_sutphin on Joan Semmel at Alexander Gray Associates (@agrayassociates) https://t.co/nts4e1gSEd
R.H. Quaytman writes of Hilma af Klint: “She was able to deploy visual ideas by asserting that they were not her own. I, too, occasionally use this technique of finding a way to paint through another artist’s authority.” https://t.co/qIdTwBTQzr