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Wangechi Mutu is known for her otherworldly works that combine mythical and folkloric narratives with sociohistorical references.
Read more on this and other must-see shows on view this spring: https://t.co/4vjLKH7VT9
Image of the Day: William Blake's c. 1795 work "The Night of Enitharmon's Joy," included in this feature from our March 2020 issue. https://t.co/Uw5adrTNH9
"Etel Adnan: Light’s New Measure" opens today at the @Guggenheim. Ready Lucy Ives's profile of the painter and poet from our Summer Reading issue: https://t.co/atOcKqd9Jk
Fatness & Feminism
Roxane Gay (@rgay) and Jenny Saville discuss unruly bodies in painting and in literature. https://t.co/kmOEgkU9FS
Artists, galleries, and other stakeholders in the crypto space are exploring online exhibitions to create context and cultural value for NFTs. @briandroitcour writes on platforms like @feralfile and @______jpg______ as well as other projects: https://t.co/wvFjpVqNzp
J. Howard Rosier (@justlikebeirut) reviews the anthology Black Futures, edited by @museummammy and @jennydeluxe. https://t.co/GMLtFDxAKo
Emily Watlington (@KeysWalletPh0ne) reviews @riva_lehrer's memoir Golem Girl (@OneWorldLit) | https://t.co/nq9y4CMJCV
Framing conservator Allison Jackson discusses creating and restoring frames for works by Picasso, Van Gogh, and Titian. https://t.co/mIMfSPGuuA
Philip Guston was never simply a political commentator, but his work is permeated with a sense of unease rooted in an awareness of his own and society’s complicity in evil. https://t.co/RJf1pAvg6i
In allegorical murals, John Singer Sargent transformed his black model Thomas McKeller into a number of characters—both male and female, and invariably white-skinned. https://t.co/tW3aiAk9iw