Bright Wall/Dark Roomさんのイラストまとめ

Hello Loneliness, I Think I’m Gonna Die: Bob Fosse’s Dance with the Five Stages of Grief in ALL THAT JAZZ https://t.co/pFhO6LxYmr

“At its core, all language is nonsense, and this is the way that it should be used: not for contracts and social niceties, but for laughter, for joy.” https://t.co/hBYWXmobfV

A Grand Yuletide Theory: The Muppet Christmas Carol is the Best Adaptation of A Christmas Carol https://t.co/a8JwXpNBCR

"In Howl’s Moving Castle, food is more than just a necessity—it sustains life, in every sense of the phrase: helping a body hold skin and sinew together, while acting as an expression of love and care." https://t.co/vJBLdb1yfz

“REPO MAN is an irreverent portrait of a rebel who mentors w/ a series of sage masters, is transformed through an existential awakening, and merges w/ the infinite. It’s the education of a punk as mythic hero’s journey—Joseph Campbell meets Joey Ramone.” https://t.co/l98yGMo2du

“There’s a lyrical, almost musical side to cinema that speaks very profoundly to each of us. That’s why we can see the same movie, and you hate it and I love it. It’s the same movie. It’s our soul that is different.”

-Guillermo del Toro https://t.co/xx7S3qEr93

"OUT OF SIGHT is a heist story, a sexy potboiler, a noir rom-com that resurrects & perfects the lost art of cinematic sexual tension."

- Priscilla Page https://t.co/upojZyqrso

New today on the site: Zoe Kurland on the Marx Brothers, slapstick, and crying at the opera.

"A Night at the Opera is first & foremost about feeling over understanding, about distorting language, teasing it apart to get to the meat of it all."

https://t.co/hBYWXmobfV

The Story We Tell Ourselves: American Honey’s American Myths - https://t.co/HwpyfzUHPD

"You Can't Go Home Again" - A.J. Bradley on RETURN TO OZ https://t.co/FRdWYNlojR