//=time() ?>
Happy Birthday to one of the best, gone way, way too soon.
(art by @brianna_ashby)
"Everyone in INHERENT VICE, having lost a love, is adrift in the riptides of memory, carried out to sea by mirages of a better place, to drown in a fata morgana of a better time." -@aHeartOfGould https://t.co/3PlKAVlnhn
"As a narrative, Kieślowski's RED is often recursively & sometimes even reflexively understood. It’s a film of ellipses, of threads dropped and picked up until, suddenly, they are woven." https://t.co/afZoBJrMPC
I Don’t Belong In This World: On the Saltair Pavilion, Mary Henry, and CARNIVAL OF SOULS https://t.co/3lHad6DWyr
"OUT OF SIGHT is a heist story, a sexy potboiler, a noir rom-com that resurrects and perfects the lost art of cinematic sexual tension." -@BBW_BFF https://t.co/upojZy8Q3O
"I’ve done a lot of other things, but when I look back on my work… [my work with Bergman was] probably what gave me most life. Because I was so alive, and I was trusted so much."
- An interview with Liv Ullmann https://t.co/3LE10auaqU
Kim Davies on Ingmar Bergman's SCENES FROM A MARRIAGE https://t.co/21LyOtVLjx
"A sense of warring duality is everywhere in PRINCESS MONONOKE: selfishness and altruism, nature and humanity, life and death." https://t.co/lFqYokdWen
New today on the site:
Catherine Ellsberg on THE MEMORY OF JUSTICE, Marcel Ophuls’ sprawling 1976 jeremiad on the Nuremberg trials.
https://t.co/q77ayXUg72
(art by @studiotstella)