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“Darren Aronofsky’s NOAH ruined my childhood, and thank God.” https://t.co/xJI5R91B0U
New today on the site: Carrie Courogen (@carriecourogen) goes long on WORKING GIRL, New York City, and the secrets of class politics.
(art by @studiotstella)
https://t.co/KUOxCc5vN2
"She observes, analyzes, & remarks drolly on life, rather than ever much participating in it. And then her body—that earthly, messy, corporeal thing she so long took for granted—breaks down, and everything changes."
-@everybody_cares on Mike Nichols' WIT
https://t.co/yTTkbjg7h7
"It wears us out, love." -@everybody_cares on BLUE VALENTINE https://t.co/3n9aLU7yKs
Adaptation as Translation as Interpretation: Antonioni’s BLOW-UP https://t.co/5TuWxXZlTq
"More than any other ALIEN movie, David Fincher's ALIEN 3 is aware of Ripley’s existence as a woman, and the unique and universal horrors that come with the territory of inhabiting a woman’s body." -@dodgyboffin #AlienDay
https://t.co/qL70uS8M47
(art by @studiotstella)
Kelsey Ford (@kelsfjord) on MANCHESTER BY THE SEA and the weight of grief.
https://t.co/XedqnHkDZK
“Most films are made in prose, but a few work more like poetry—you learn their language only by immersing yourself in it & giving over to the experience.” -@everybody_cares on A GHOST STORY https://t.co/nIW0SQerMa