Bright Wall/Dark Roomさんのイラストまとめ

“What’s scary about the auditorium/prom queen scene in Brian De Palma’s CARRIE is that you find yourself, after having spent so much time with poor Carrie White, actually *enjoying* her revenge… It’s horrible, but you understand.”

-@mrtesslynch

https://t.co/yQcI9VfSqZ

@dodgyboffin "BODY DOUBLE is a smirking, porn-pop uncanny valley of artifice-lubed Hitchcockian anti-reality. A film heat-warped by sexual obsession into an unhinged flood of Brian De Palma's megatonic, metafilmic id."

-@aHeartOfGould

https://t.co/nc8rUje1UV

"T.S. Eliot’s poetry of austerity positions despair as the logical alternative to life as an automaton; Richard Kelly’s film of excess positions hallucinatory ecstasy as the even more logical alternative to the same." -@Ethan_Warren_ on SOUTHLAND TALES https://t.co/AJVLnbFR0d

“The chronically online want to pry it open and bear witness to its machinations, but DONNIE DARKO, at least to my mind, seems blissfully unknowable.” https://t.co/kKxS5X1ph6

Happy 56th birthday to Adam Sandler, who in @JOSH_BENNY's UNCUT GEMS "mélanges the extremes of his comedic and dramatic work into a singular, prismic effort that binds the film into an iridescent whole."

-@aHeartOfGould

https://t.co/Os6ddyAtzL

“Removed from the tangle of time travel, DONNIE DARKO is really just a *mood*. Tears for Fears & Sparkle Motion & bunny suits & Cherita in her earmuffs. Fragments that float like chum on seawater. Annihilating the agreeable as an act of creation.”

https://t.co/kKxS5X1ph6

New today on the site:

Our Time Travel issue continues, with Lindsey Romain on @JRichardKelly's DONNIE DARKO

(art by @studioralston)

https://t.co/kKxS5X1ph6

"Locating a cultural outlet to decompress from the daily nightmare isn’t a top priority for any of us, yet nevertheless it’s important to help maintain just a smidgen of your sanity... I am, of course, talking about the television program COLUMBO."

https://t.co/KALGv2FOkW

“The film is a miasma of the hellish summer heat and everything that comes with it. Each frame feels sun-stained, covered in a grime that attaches itself to one’s body.”

-@shdwbxng on THE TEXAS CHAIN SAW MASSACRE

🔥🎨: @studiotstella

https://t.co/36NnjAk0TV

“FAHRENHEIT 451 is often hailed as a dire vision that’s only become more relevant with time. And yet there is so little in this story that I recognize from the world around me.”

-@Ethan_Warren_

https://t.co/HXlAH0mz1O