Bright Wall/Dark Roomさんのイラストまとめ

https://t.co/GruRXaEiB2

Graham W. Osborne: "The film still offers audiences today something to hold onto when the going gets tough. It invites you to look adversity straight in the eye, honk your horn, and laugh." (with art by @brianna_ashby) https://t.co/FedZkcU03W

New today on the site: @emmylanepotter on sisterhood, baseball, and women’s work in A LEAGUE OF THEIR OWN

https://t.co/lafKflgK62

(art by @brianna_ashby)

Kelsey Ford on trauma & MANCHESTER BY THE SEA
https://t.co/g6C2NGn2IH

"By transposing Raymond Carver’s stories to Los Angeles, Robert Altman's SHORT CUTS fashions a narrative that is less about the Los Angeles of our collective imagination and more about the real LA most of us don’t care to know." https://t.co/694sAX8a0H

Tomorrow on the site: CARNIVAL OF SOULS

(featuring new art from @studiotstella)

As longtime BWDR readers might notice, this will be the first “Redux” issue, following our prior Literary Adaptations issue back in 2016. We’ll be revisiting old themes every so often going forward, so sound off if there are any particular issues you’d like to see sequelized!

Just remember: Your favorite movie will probably lose tonight but it doesn’t actually matter in any real way. Time will be the true judge, and is rarely fooled.

https://t.co/h7cPlTBaNa

"How's It Going to End (Or: It's Everyday, Bro)" -@franhoepfner on THE TRUMAN SHOW, Jake Paul, and the increasingly blurred lines between the performed and private self.

(art by @studiotstella)

https://t.co/FQt2dHR3Y0