Bright Wall/Dark Roomさんのイラストまとめ

“Rear Window is a movie about the stories we choose to tell.” https://t.co/yGeBscsL6q

.@everybody_cares on ETERNAL SUNSHINE OF THE SPOTLESS MIND https://t.co/ewcCTUZP0t

Caity Mans on MOONSTRUCK (art by @studiotstella) https://t.co/GruRXaEiB2

New today on the site: @aHeartOfGould on INHERENT VICE, "a film that tricks us into settling in for a noir about a man solving a mystery, & instead presents us with a man confronting a melancholy truth: everything—lives, eras, and loves—comes to an end." https://t.co/3PlKAVlnhn

Tomorrow on the site: @aHeartOfGould on INHERENT VICE (+ new artwork from @studiotstella)

New today on the site: Brad Nelson wraps up their series on Kieslowski's THREE COLORS trilogy with a deep-dive on RED: "Conversation Piece: A Sonata on Human Connection in Five Movements" (art by @studiotstella) https://t.co/afZoBJrMPC

“Many of my movies have strong female leads—brave, self-sufficient girls that don’t think twice about fighting for what they believe w/ all their heart. They’ll need a friend or a supporter but never a savior. Any woman is just as capable of being a hero as any man.”

-Miyazaki

Tomorrow on the site: @roxana_hadadi on DR. ZHIVAGO (+ new art from @studiotstella!)

“More than any other Alien movie, David Fincher's ALIEN 3 is aware of Ripley’s existence as a woman, and the unique and universal horrors that come with the territory of inhabiting a woman’s body.” https://t.co/qL70uS8M47

“Most films are made in prose, but a few work more like poetry. A poem, like David Lowery's A GHOST STORY, often teaches you how to read it as you go along; you learn its language only by immersing yourself in it and giving over to the experience." https://t.co/nIW0SQw3aK