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Galatea, “ she who is milk-white “.
Galatea is also the name of Polyphemus's object
of desire in Theocritus's Idylls VI and XI
and is linked with Polyphemus again in the myth
of Acis and Galatea in Ovid's Metamorphoses.
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Galatea (circa 1880) by Gustave Moreau
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Nell’opera del 1723 di Noël-Nicolas Coypel III
Siringa sembra aver raggiunto la salvezza
arrivando dalle ninfe amiche, ma il vero epilogo è differente
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Sébastien-Jacques Leclerc (1734-85)
dà ai personaggi e alla vegetazione i giusti connotati scenici
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Epistula non erubescit
La lettera non arrossisce
lo scritto non evidenzia le emozioni dello scrivente
e per iscritto molti possono manifestare sentimenti o emozioni
che non avrebbero il coraggio di esprimerli di persona
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La sintesi di Cicerone attualissima nei social
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Good Morning, Tweeps
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Reflection (Kitty Hughes), 1917
by Childe Hassam
The David Owsley Museum of Art (DOMA)
Ball State University, Muncie, Indiana, States
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Bedouin Girl (1886)
by Anders Zorn
Nationalmuseum - Stockholm, Sweden
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Study of Black against Yellow (Portrait of Mrs. Chase) circa 1886
by William Merritt Chase
p. c.
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El verano no está lejos
La misma playa
Mina
https://t.co/DnHP3sHkax
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Naomi returns home
Ruth said, “Do not urge me to leave you, to turn back
and not follow you. For wherever you go, I will go...”
Book of Ruth
4th century BCE
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Painting by William Blake, 1795
Naomi entreating daughters-in-law Ruth and Orpah
to return to the land of Moab
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Water's nippy this morning, isn't it?
Indeed, but nice, warm sunshine.
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Women bathing
by Paul Fischer (1860-1934)
p.c.
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