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7/12
Expect skeletons, which recall the powerful scrapbooks of fellow maximalist Shinro Ohtake and explosive, richly textured scenes often populated by recurring characters, reminding us of Takashi Murakami (top). There may also be a touch of Gaston Pacheco madness (bottom).
5/12
Formally, there is a Katamari Damacy aesthetic in Williams’ works, where meaning is fragmented and then reconstructed by the apposition of apparently unrelated visual artefacts united by a vibrant use of colour and strong linework.
4/12
And in this style you’ll find the HÜMBANS he’s been drawing forever. They "are all essentially a part of the WEIRDWILDWORLD mythos/universe. Each is a unique character with different traits, a unique backstory and a whole bunch of other shit."
Or not.
2/12
2018, when Sean turned 22, was a critical year. He describes it as "probably the most lonely, unfamiliar transitional period I've ever gone through".
To keep sane, he draws. To escape he draws. To become a better artist, he draws.
He really works those famous 10,000 hours.
Good morning, friends! I see some much loved people leaving and other seriously cutting down on Twitter time.
I wish you all success and I totally understand. On my part I will continue here as much as this bloody heat allows.
Happy Sunday!
@bitcoinprophet1 Hi, I was tagged here by my dearest @WibauxV and let me share the piece I have available and tag @eyes_of_lamia @BekaRiosART @TreasvreTrove @ab_nft
@cryptopom1 @HChipNFT Maybe I should put the piece I have for sale!
@sendr0ck @NovaNft Gary, that seems such a noble pursuit. i was tagged here by the lovely @NikiLeSunshine1 and I would love to add @cryptopom1 @HCHolter @OmniaSurreal