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I'm very psyched about the initial design concepts/artwork we're getting from @PatrickHorvath for the two animated sequences on @lizardlaughed.
Sure, it's basically our fault he's not posting on Twitter for a while but I swear the result is going to be worth it!
I wrote about one of my favorite novelists, Patricia Highsmith, and what might be her most brilliant novel, A SUSPENSION OF MERCY.
It's her attempt to understand herself as an artist, to distinguish between her mind & the minds of the criminals she wrote:
https://t.co/wiirEQDoKW
It's only a bit of an aside, but @TheLastMachine's new piece captures why Jean-Pierre Melvilles's TWO MEN IN MANHATTAN is one of the great NYC Christmas movies on top of everything else.
(It's "Frenchman Only" brothels. That's secret of an NYC Christmas.)
https://t.co/rHqdxQqL1X
There's a few recent films, Hadžihalilović's EVOLUTION, Morrison's DAWSON CITY FROZEN TIME & Martel's ZAMA don't seem to have penetrated the collective cinematic unconscious - but all three define what it means to have a meaningful & utterly singular movie-going experience.
Never listened to The Pink Smoke podcast because of the Patreon paywall? Here are some of our "open to everyone" episodes to give it a crack.
The Decade in Horror Cinema:
https://t.co/fBY48pBIsK
Double Feature:
https://t.co/wUyCv8vNAS
Death Wish:
https://t.co/mAVU5SMmLC
"Midsommar is the movie the boyfriend from Midsommar would've made - Color Out of Space is the movie the cult would've made."
Subscribe to our Patreon to check out the new episode of The Pink Smoke podcast on Richard Stanley's COLOR OUT OF SPACE!
https://t.co/MGzlZzyXxI
Cinecolor was also used exclusively for the ComiColor shorts (based on nursery rhymes & folktales), a series you'll likely recognize even if you haven't thought about the films in forever.
(Incidentally, this series is one of the most direct inspirations for CUPHEAD.)