Beaver Hall Groupさんのイラストまとめ

Closing time. Look for the Beaver Halls: Hal Ross Perrigard, Adam Sherriff Scott, Sarah Robertson: https://t.co/wJbPvscKiD.

"A Spring Thaw in the Eastern Townships” by Hal Ross Perrigard, founding member of The Beaver Hall Group. Est $800.-$1000. at https://t.co/f4OMgV5NdH

“Sugar Shack” by Adam Sherriff Scott. Paints and brushes were his toys. Because a gypsy predicted that he would be an artist, his mother encouraged him to paint for an hour every day after school. Chapter 14, "The Beaver Hall Group and Its Legacy".

"The Green Hat” by Adam Sherriff Scott, Beaver Hall Member who co-founded Shagpat Studio of Commercial Art. This portrait of his wife was acquired by the National Gallery.

“Barbara”, 1933, by Prudence Heward.“ One of the strongest paintings of children in Canadian art. One is struck by the expression on the child's face, that of a serious little girl intent on her deportment, doubtless expected to behave through each of many sittings.” J. Braide.

Robert Wakeham Pilot, "Old House, Quebec", c.1925. (Power Corp). Pilot admired his stepfather Maurice Cullen who, all too aware of the financial insecurity of artists, encouraged him to study architecture, but to no avail. Illustrated: The Beaver Hall Group and Its Legacy.

"Uncle George", 1947, by Edwin Holgate. (Art Gallery of Hamilton). "He expressed modern ideals in terms of composition, simplic­ity, and absolute focus on the volume and geometry of form in an art of great vigour and restraint.” Rosalind Pepall. https://t.co/tohBn3f7rG

“At The Theatre”, 1928, by Prudence Heward. "I once asked old A.Y. why my Aunt Pru was excluded from the Group of Seven. 'Well, I guess we liked our brandy and cigars too much,’ he replied regretfully. He knew there was a prejudice against women artists.” Heward Grafftey.

"McGill Cab Stand", 1927, by Kathleen Morris who was born on this day in 1893. In 1980, it was chosen for a series of Christmas postage stamps. https://t.co/XRGVSwJjdS

"Street Scene, Montreal” by Henrietta Mabel May (NGC). In the Thirties, she taught art at Elmwood in Ottawa and supervised the Saturday morning “Happy Art Class” at the National Gallery. The Beaver Hall Group and Its Legacy, p.109.