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@DialHForHagai The Eclipse scene in Berserk, the cosmically tragic payoff to a deeply emotional slow burn. Very clear it’s the scene Miura wanted to draw the most and every one of the thousands of pages preceding it all lead to this one moment, I couldn’t stop thinking about it for a while
“Bouncing Bertha” (1951) by Harvey Kurtzman and Jack Davis || A Life Force (1988) by Will Eisner
My favorite Hirohiko Araki character is “teen who just wants to watch Paul”
@Psychic_Driving Someone posted my favorites so I’ll just say that these two astound me on a technical level. Man-Thing is so elaborate and so dense, but each element remains deliberate. In the Gemini piece your hatching is so unique and perfectly captures the film grain of the original shot
This Spoke Rohan Kishibe by Hirohiko Araki
My review here: https://t.co/qbXB2WSqy9
One Hundred Tales by Osamu Tezuka
My review here: https://t.co/c5p4ORCbd2
A little more than half way through Tekkonkinkreet, this book fucking rules
This scene from the Millionaire Village story from Thus Spoke Rohan has always stuck with me as a perfect example of this
One Hundred Tales has a scene where a samurai slices some guys up while riding a log downhill. Please read it