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...of a woman whose smell he knows better than his own–which is frankly a bit creepy, Logan.
He is interrupted by Sabretooth, an almost decade old Claremont Iron Fist villain finally making his way to the pages of UXM to serve as a rival to Logan.
Invoking the name Sinister...
...Ororo's burden as leader of the team and the depth of her survivor's guilt; she's also the only mutant left there who will address her not with deference, but the forceful type of wake-up slap she needs.
While Ororo is facing her greatest failure as leader of the X-Men...
...has any benefits, it's to give Erik the opportunity to attempt to amend his powerlessness in the face of the genocide he survived in his youth.
Easily the most powerful mutant at the Mansion, it's a subversive thing to see his gift used, for once, not to destroy...
...and hers alone to keep.
It's worth pointing out that among the X-Men's fallen are three of its youngest and most idealistic members.
Kitty, Piotr, and Kurt each represent the hope of Xavier's dream; with the Massacre, that hope grows weaker by the minute.
If the Massacre...
...a drop of joy–of laughter–that he has always provider her in a time of need.
Without Kurt's joy, the X-Men have lost their soul–a truth literalized in Piotr's open thirst for revenge even after his execution of Riptide.
Looking inward, Ororo can only find fault in herself...
...the personal costs of war.
Back in the makeshift infirmary, Moira and Sharon face a seemingly endless tide of death as Erik looks on, retraumatized by the memory of the cruelty of his youth strewn before him.
Ororo looks to Kurt, begging not just for his survival, but for...
...perfectly capture not only the horrible scope of the Massacre's tragedy, but the grief of its survivors.
The two primary points of view characters in UXM #212 are Ororo and Logan, who is at this point her lieutenant among the X-Men, each representing different angles of...
... the rookie cop is still an instrument of an oppressive tool of power used to punish–and murder–BIPOC and other marginalized folx.
The older officer explains to Joe that it's "them or us"–a disturbing parallel to the current culture among the police. He offers Joe an alibi...
..the mutant metaphor to police brutality against unarmed BIPOC as it validates the racist trope of "dangerous" minorities.
Where it does connect is through the institutionalized hatred which by issue's end the rookie cop has been socialized into.
For all his "good" intention..