Conor ⊗🔺さんのイラストまとめ

...primal force–one Shaw's had little hand in molding by his design. This isn't Emma, enthralled with him, or Tessa, seemingly obedient to his whim–Selene poses a real threat to the Club's order.

Rachel, thinking she's gotten the better on Selene, springs a trap on the witch...

If one perspective on the issue is to compare Rachel and Amara's mutual time displacement, another apt comparison is of Selene and Rachel's mutual status as hunters.

Selene's wickedness points to a darkness Rachel was forced into; and one, perhaps, she could easily choose...

...characterized by her compassion for others, regardless of the personal cost. In many ways, she truly is the best qualities of the Phoenix personified.

That care extends most directly to Amara in UXM #189, who, admittedly clueless to Rachel's pain, calls Selene a huntress.

...and the government's attack. Claremont is juggling a lot of plates right now but as quickly as this arc of the books has taken a turn toward the mystical, the threat of mutantkind's full persecution looms not far off in the distance.

Rather than her trauma, Rachel is best...

The girls' afternoon in the city is second to the full team's reason for being there–to send Ororo off in style.

While Charles tries to disabuse her of her insistence that she's no longer of use to the team, he understands her need to leave in search of herself after Gyrich's...

...childhood in her future-past.

Coupled with the reality that she's returned to past different from her own, Rachel's disorientation only deepens her retraumatization.

And yet, in spite of it and so defining of her character, she endures to make sure Amara finds a little joy.

@xreadspodcast Kitty in the bullet-awful writer be damned-is definitely an incredible turning point in their relationship.

“Disappointed Ms. Frost??”
“Astonished Ms. Pryde.”
🥲

The Icon The Owner https://t.co/HbDui5nkYP

Rachel recounts the Days of Future Past to the team, pulling back the cover on the depth of the horrors the two-issue event only hinted to.

In Rachel's time, the government doesn't just legislate against mutants, it places them in concentration camps.

Her arguments sounds...

The psychic backlash as Rachel learns of her mother's death–she just heard her voice on the phone after all (good accidental retcon seed Claremont!)–knocks all the assembled X-Men to the floor, and it is no longer deniable that Rachel has returned to the "wrong" past.