Conor ⊗🔺さんのプロフィール画像

Conor ⊗🔺さんのイラストまとめ


A queer boy's journey into Claremont's sixteen year long run on the X-Men- from Krakoa to Muir Island. Often quite concerned about the New Mutants. (He/Him).
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...residual effect of Ororo's persona quietly inhabiting her psyche.

But, as her control over the storm weakens further, Rogue realizes an ascendant Ororo has recovered from her touch.

Her heroism doesn't belong to Storm. It belongs to Rogue.

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...a powerful tempest on the military unit. The storm quickly escapes her capacity for control, and in the distance, the earlier seen tugboat risks capsize in the River's waters.

For a brief moment, Rogue sees the crew's innocence, but assumes the benevolent streak as...

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Realizing that Gyrich's blast has seemingly deprived her of her Carol-obtained strength and invulnerability, Rogue's awareness of further threat to Ororo's ability and the responsibility erasure of those abilities would place on her as their custodian leads the girl to unleash...

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...comes to the teenager's mind, when the looming promise of Gyrich's assault on Rogue comes to fruition in a space that was once the teenager's place of refuge and peace.

Gyrich's heavily armed unit sets upon her; with little concern and a shoot first, talk later attitude.

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...has always been a theme central to Rogue's character, but Ororo's distinction that to take a mutant's (or anyone's) identity without their consent is an inherently violent act is an important one given the issue's context, and only one I recognized returning to the Run...

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...of her mutant abilities to her new friend.

The candidness between the women almost boils over into a fight, before Ororo–acting in a comfortable capacity as mother figure–recognizes that nearly all of Rogue's experiences with her powers have been acts of violence. Consent...

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...as has Xavier's promise to help the girl develop control over her mutant abilities.

These internal conflicts are ripped wide open in UXM but, as she's beginning to learn, the X-Men never need be alone. Storm arrives and Rogue recounts the tragic first appearance...

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...panel work is growing increasingly complex–and while not on Sienkiewicz levels of insane–is still put to good use to carry the issue's readers through a heartbreak, seconds-long phone call between Rachel and the man revealed to be her father, Scott Summers.

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...as an adult, my relationship to this issue and the darker stories to follow has shifted; UXM isn't just a story about Gyrich's ray gun.

Today, it's a story of violence, of flawed parenting, of consent, and of the specific cruelties only a government can show...

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...although it seems he has (unshockingly) learned nothing from the experiences.

With the threat of Selene alleviated–at least for now–the X-Men surround Rachel, finally face-to-face with this timeline's X-Men for the first time.

The discrepancies between pasts now too great...

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