Delphine Costedoatさんのイラストまとめ

Ah, I’m hungry.

He entered Davy Byrne’s. Moral pub. He doesn’t chat. Stands a drink now and then. But in leapyear once in four. Cashed a cheque for me once.

What will I take now? He drew his watch. Let me see now. Shandygaff?

Joyce, Ulysses

Picasso, Woman in a Red Armchair

During the Second World War, Picasso had changing reactions to events.He represents the consoling humanity in a series of drawings for the sculpture of Man with a Sheep.This subject comes from ancient classical art, and the biblical theme of the Good Shepherd.

Study, 1943

As well as lecturing in Art and Media, Peter Root has worked in various professional fields including architectural presentation and model making.The associated techniques, both digital and physical, are obvious in his drawings and architectonic installations.

Ephemicropolis

La Tour transferred the use of nocturnal light effects in the genre subjects present  in the paintings of the Dutch Caravaggisti to religious painting in his ones.

La Tour, The Apparition of the Angel to St. Joseph, 1630-35, Nantes Museum of Arts, France

Expelled from Germany in 1914, Jawlensky moved to Switzerland. After a hiatus in experimentation with the human form, Jawlensky produced perhaps his best-known series, the Mystical Heads (1917–19).

Jawlensky, Mystical head, 1917-19

Back to the 80s with this photograph by Luc Chery, from his series Drifting, Suites nocturnes, 1983-1986. This French photographer, who uses also colour now, never steals a subject unexpectedly, he examines it longly, tames it, and establishes with it a relation of friendship.

A Vittoria Colonna

Dunche, s'appresso il cor non mi sopporta
l'infinita beltà che gli occhi abbaglia,
né di lontan par m'assicuri o fidi

Michelangelo

Michelangelo (after), Pietà for Vittoria Colonna, Boston, MA, Isabella Stewart Gardner Museum

''J'ai longtemps hésité à écrire un livre sur la femme. Le sujet est irritant, surtout pour les femmes; et il n'est pas neuf. […] Et il ne semble pas que les volumineuses sottises débitées pendant ce dernier siècle aient beaucoup éclairé le problème.''
Le Deuxième Sexe (1949)

''One must be truthful with oneself about one's own motives, especially if one is to survive in the world. It takes rigor, and it takes courage.''
— Alain

Here, Johan Bartold Jongkind, Small Town Vedute, 1865, on the reverse titled "Le Poudreux près de Honfleur",

Were I called on to define, very briefly, the term Art, I should call it the reproduction of what the Senses perceive in Nature through the veil of the soul. The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of Artist.

Edgar Allan Poe