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Darren Mooneyさんのイラストまとめ


Member, @ofcs. Host, @thetwofifty. Author, books. tinyurl.com/ybke6vtc. Movie/TV Guy, @SecondWindGroup. Darren "Movie" Mooney on @Q102FeelGood. He/Him.
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“All I have for you is a word. TENET. Use it carefully.”

(Final Crisis

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“I’m going to get you both, okay?”

There’s something faintly clever and self-aware in casting Aaron Taylor Johnson and Elizabeth Olsen as spouses in “Godzilla” when they played siblings in “Age of Ultron.”

Especially siblings like the ones they played in “Age of Ultron.”

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In many ways, “Truth” feels like a prototype for John Ridley and Giuseppe Camuncoli’s “The Other History of the DC Universe.”

It’s a look at figures marginalised within the universe’s history, as a way of exploring the historical marginalisation outside of it.

(Truth

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Indeed, the idea of a dark future where Darkseid has already conquered the planet and the only heroes left are a rag-tag bunch of scrappy underdogs?

That’s Morrison and Porter’s “Rock of Ages”, which feels like a dry run for “Final Crisis.”

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Many fans of the genre consider the nineties a nadir for superheroes. It was a wilderness. There were some great books, but the genre kinda lost its way.

This makes it interesting and pointed that “Batman v. Superman” draws so heavily from it, even carrying over the grimness.

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“Batman v. Superman” drew very heavily from two of the biggest “dark age of comics” stories, and hinted at a third.

A lot of the Old Batman Versus Institutionally Challenged Superman stuff comes from Frank Miller’s “The Dark Knight Returns”, which ushered in “the dark age.”

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To be fair, I don’t think it was a conscious choice to be like, the theatrical cut of “Justice League” should be all the old white guys at the expense of everyone else.

But that’s just what happens when you strip out creative ambition and replace it with nostalgic comfort food.

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And Superman fans say he doesn’t respect the character’s history. https://t.co/iRFMVEV3Ym

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I cannot emphasize how much it takes for me to hate a movie as much as I hate the theatrical cut of “Justice League.”

It’s just the living embodiment of every fear every critic has ever heard whisper in the back of their head about “content.”

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The latest episode of “A Marvellous Escape” is now online. I’m thrilled to join Jack Packard () and KC Nwosu () to chat about the latest episode of

Although I am mainly there to talk about “Malcolm in the Middle.”

WATCH: https://t.co/tSKaUsejXw

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