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#PreRaphaelite #paintings and #Arts & #Crafts #ceramics by #Victorian husband and wife #artists interested in #socialism, #feminism and #spiritualism
demorgan.org.uk

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We all need a bit of hope at the moment.

Victorian artists used the theme of hope in their paintings against a backdrop of extreme social poverty and industrialisation.

Discover more

https://t.co/mCgrMa01cG

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Your annual donation helps us to care for our collection of paintings and ceramics.

For just £30 per year you will get invitations to events, newsletters, and be supporting our wonderful chaity.

Please consider joining us today

https://t.co/3j4vqkpWg7

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If you missed museums this year, why not book in a truly unique visit to one of our galleries for 2021?

Curator Sarah Hardy will give you a guided tour of the De Morgan museum of your choice. You will find out things you simply can't from anyone else!

https://t.co/3KrUJhdwWg

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Why not inject a little De Morgan and into your home with a print of our beautiful

You can now buy prints on demand through our partners

https://t.co/qo40XY59NG

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'The Passing of the Soul at Death' was probably one of the last pictures Evelyn De Morgan

It was probably painted at a similar time to the death of William De Morgan, as the imagery is very similar to the gravestone which she designed for them both in 1917.

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William De Morgan was inspired by the poetry of his friend Lewis Carroll to create fantasy animals, like this Snark tile.



Discover more: https://t.co/MZxlUaySb7

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Eagle and Rabbit by William De Morgan

Find out more in this brilliant book, a bargain at just £10

https://t.co/VR8n56hTQH

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This week, we're celebrating De Morgan's tiles.

Our volunteer, Vanessa, has spent this week painstakingly researching the archives to prove which Snark came first, the De Morgan tile or the Lewis Carroll poem!

Find out on our blog

https://t.co/MZxlUaQt2F

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Your eyes are drawn from left to right, forcing you to watch the seasons roll from springtime, personified as the youthful women on the left, over summer with their harvest, autumn with her leaves, then winter, in a swirl of freezing air.

Now on display at t

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This lustre dish shows the influence of Chinese art on De Morgan.

The exhibition 'Decoration or Devotion?' at the explores De Morgan's use of motifs from different cultures.
Book to visit https://t.co/Uj8QFO0eSG

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