//=time() ?>
In 1936 Orson Welles collaborated with a Harlem theater to stage an all-Black version of MacBeth where the witchcraft is replaced by vodou and the setting is switched to a fictional Caribbean island, which received rave reviews. Costume design and opening night audience pictured
"looks here like I told the mechanicus to opt for the reinforced tracks, and they didn't, so that's gonna be an extra surcharge"