Elephant Magazineさんのイラストまとめ

The question of success and failure is central to any discussion of ambition, but the parameters by which we measure these two extremes have shifted over time. https://t.co/MiDxycxf0S

Jonny Negron, YSL Poppers, 2018 #ImageOfTheDay

“Jonny Negron’s paintings bulge with hyper-erotic energy,” reads our feature on the Los Angeles-based artist in Elephant Issue 39. https://t.co/kSVI2XSmGC

“Braiding’s about trusting that person with a part of you… there is something spiritual in tending to our hair” https://t.co/3LClSM8Uhl

Naudline Pierre, We Are Here, 2019-20 #ImageOfTheDay

One of our most-read articles of 2021 shines a light on 12 women artists who paint women in nuanced and powerful ways. Included is Naudline Pierre. https://t.co/bRAUq8qiqe

@MaddieYuille's women bathe in deep green waves. Her colour palette highlights the outdoor, natural status of this water, full of plant-life, part of an ecosystem, and far removed from the sterile liquid of taps and baths. https://t.co/GOdoaf2aD3

Celeste Repone puts the protagonists of her paintings, usually female bodies, in theatrical settings. Her paintings contain so many cultural and historical references with comedic edges and there are favourite moments for each viewer in the paintings. https://t.co/HvcJyuX1k3

Moments of revelry, violence and desire collide in the confrontational work of Amanda Ba, whose vivid paintings amalgamate personal memory with darker fantasy. https://t.co/2nTtTvokUK

Toyin Ojih Odutola, Scene 002: New HomeBody / Ile TunTun, 2021. #ImageOfTheDay

In the new issue of Elephant, Nigerian-American artist Toyin Ojih Odutola presents the second instalment of her artist’s column, Missed Connections. https://t.co/qbA4QA8brt

Sin Wai Kin, Dragon Woman, 2019. #ImageOfTheDay

In the market for some new art books this Black Friday? Then don’t miss the recommended reading list in Elephant’s new issue. https://t.co/ebwjh1PuVn

Brooklyn-based artist and designer @DevaPardue made headlines in 2017 when she discovered her Femme Fists design—which had been initially created ahead of the Women’s March—had been pinched for profit.
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